This classic 1897 work explains how music is produced for books and sheet music, comparing typographic and engraved-lithographic processes. It includes explanations of setting up music type, arranging staves, aligning words with notes, and the steps from manuscript copy to the final page. The book also traces the evolution of music typography in America and offers practical guidance on preparing copy and correcting proofs.

Beyond theory, it presents real-world samples and illustrations of the hardware, fonts, and page layouts used in hymn books, gospel tunes, and other music volumes. You’ll find explanations of the electrotyping process, proofs, and the care needed to produce large editions affordably. The included specimen pages and notes on music fonts give a behind-the-scenes look at how composers’ words and notes come together in print.
What you’ll experience

An overview of two major printing methods used for music and when each is preferred
A practical walk-through of setting up music type, from staff lines to note heads and lyrics
Historical context showing the growth of music printing from early American practice to the 19th century
Facsimiles and described specimens that illustrate music type and page design

Ideal for readers curious about the history of music publishing, typography students, librarians, and anyone interested in how a hymn or song book is made from copy to press.

"About this title" may belong to another edition of this title.

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