Music and the Racial Imagination

Radano, Ronald M.

ISBN 10: 0226702006 / ISBN 13: 9780226702001

Published by The University of Chicago Press, 2001

About this Item

Representing a broad range of academic disciplines and geographic regions, this work examines how the imagination of race has influenced musical production, reception, and scholarly analysis. It reviews the history of race in European and American, non-Western and global music. Series: Chicago Studies in Ethnomusicology. Num Pages: 720 pages, 36 halftones, 3 line drawings. BIC Classification: AV; JFCX; JFSL; JHMC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 154 x 40. Weight in Grams: 930. . 2001. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Seller Inventory # V9780226702001

Bibliographic Details

• Title: Music and the Racial Imagination
• Publisher: The University of Chicago Press
• Publication Date: 2001
• Language: English
• ISBN 10: 0226702006
• ISBN 13: 9780226702001
• Binding: Soft cover
• Condition: New

About this title

Synopsis

"A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception, and scholarly analysis, even as they reject the objectivity of the concept itself.

Each essay follows the lead of the substantial introduction, which reviews the history of race in European and American, non-Western and global musics, placing it within the contexts of the colonial experience and the more recent formation of "world music." Offering a bold, new revisionist agenda for musicology in a postmodern, postcolonial world, this book will appeal to students of culture and race across the humanities and social sciences.

About the Author

Philip V. Bohlman is the Mary Werkman Distinguished Service Professor of the Humanities and of Music at the University of Chicago and coeditor of the Chicago Studies in Ethnomusicology series published by the University of Chicago Press.