Musical Meaning and Interpretation: Perspectives, Reflections, Critique
Language: English
Published by Oxford University Press, 2025
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- Title
- Musical Meaning and Interpretation: Perspectives, Reflections, Critique
- Author
- Seth Monahan
- Publisher
- Oxford University Press
- Publication year
- 2025
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0197601294
- ISBN 13
- 9780197601297
This collection of essays brings together leading musicologists and music theorists working across a range of genres--classical, jazz, and popular--to offer fresh approaches to questions of meaning in music. Rooted in humanistic values, Musical Meaning and Interpretation combines rich analytical insights with critical perspectives on musical hermeneutics, arguing collectively for the strength, necessity, and urgency of interpretive work in music.
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About the Author
Michael J. Puri is a professor of music history and theory at the University of Virginia. His research focuses on French and German music of the long nineteenth century, and combines music analysis, intellectual history, and critical theory. He is the author of Ravel the Decadent: Memory, Sublimation, and Desire (OUP 2011), and has received the Einstein Award from the American Musicological Society and the Delta Delta Delta Fellowship from the National Humanities Center.
Jason Geary is Dean and Professor at Mason Gross School of the Arts, Rutgers University. He has published widely on the music and culture of nineteenth-century Germany, in particular the composers Mendelssohn, Wagner, Mahler, and Richard Strauss, and Hellenism as it relates to music. Author of The Politics of Appropriation: German Romantic Music and the Ancient Greek Legacy (OUP 2014), Geary is a Fulbright grant recipient and a past member of the Institute for Advanced Study in Princeton.
Seth Monahan teaches analysis and musicianship at the Yale School of Music and was formerly the chair of Music Theory at the Eastman School of Music. In addition to his research on form and meaning in the music of Gustav Mahler, he studies the ways in which conventions of music-analytical rhetoric relate to aspects of musical cognition and experience. He is the author of Mahler's Symphonic Sonatas (OUP 2015) and is a two-time recipient of the Society for Music Theory's Emerging Scholar Award.
Jason Geary is Dean and Professor at Mason Gross School of the Arts, Rutgers University. He has published widely on the music and culture of nineteenth-century Germany, in particular the composers Mendelssohn, Wagner, Mahler, and Richard Strauss, and Hellenism as it relates to music. Author of The Politics of Appropriation: German Romantic Music and the Ancient Greek Legacy (OUP 2014), Geary is a Fulbright grant recipient and a past member of the Institute for Advanced Study in Princeton.
Seth Monahan teaches analysis and musicianship at the Yale School of Music and was formerly the chair of Music Theory at the Eastman School of Music. In addition to his research on form and meaning in the music of Gustav Mahler, he studies the ways in which conventions of music-analytical rhetoric relate to aspects of musical cognition and experience. He is the author of Mahler's Symphonic Sonatas (OUP 2015) and is a two-time recipient of the Society for Music Theory's Emerging Scholar Award.
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