This radical new evaluation of music making in the past and future will be essential reading for students of aesthetics, the philosophy of music, as well as musicologists and performance specialists. Num Pages: 184 pages, black & white illustrations. BIC Classification: AS; AVA; AVS. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 19. Weight in Grams: 454. . 1998. Hardback. . . . .

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Bibliographic Details

Title: Musical Performance
Publisher: Taylor & Francis Ltd
Publication Date: 1998
Language: English
ISBN 10: 0415191289
ISBN 13: 9780415191289
Binding: Hardcover
Condition: New

About this title

Synopsis

Most music we hear comes to us via a recording medium on which sound has been stored. Such remoteness of music heard from music made has become so commonplace it is rarely considered.
Musical Performance: A Philosophical Study considers the implications of this separation for live musical performance and music-making. Rather than examining the composition or perception of music as most philosophical accounts of music do, Stan Godlovitch takes up the problem of how the tradition of active music playing and performing has been challenged by technology and what problems this poses for philosophical aesthetics. Where does does the value of musical performance lie? Is human performance of music a mere transfer medium? Is the performance of music more expressive than recorded music? Musical Performance poses questions such as these to develop a fascinating account of music today. musicians - but via some recording medium on which sound has been stored.

About the Author

Stan Godlovitch is Senior Lecturer in Philosophy at Lincoln University, New Zealand.

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