Neuware - Jairo Moreno adapts the methodologies and nomenclature of Foucault's 'archaeology of knowledge' and applies it through individual case studies to the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His conclusion summarizes the conditions-musical, philosophical, and historical-that 'make a certain form of thought about music necessary and possible at the time it emerges.' Musical Meaning and Interpretation-Robert S. Hatten, editor.

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Bibliographic Details

Title: Musical Representations, Subjects, and Objects : The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber
Publisher: Indiana University Press Dez 2004
Publication Date: 2004
Language: English
ISBN 10: 0253344573
ISBN 13: 9780253344571
Binding: Buch
Condition: Neu
Dimensions: 240 millimeters width by 161 millimeters height by 19 millimeters depth
Weight: 568 grams

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Synopsis

Jairo Moreno adapts the methodologies and nomenclature of Foucault's "archaeology of knowledge" and applies it through individual case studies to the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His conclusion summarizes the conditions―musical, philosophical, and historical―that "make a certain form of thought about music necessary and possible at the time it emerges."

Musical Meaning and Interpretation―Robert S. Hatten, editor

About the Author

Jairo Moreno is Associate Professor of Music Theory at Duke University. His research and publications focus on the history and philosophy of music theory.

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