Synopsis
Covering one of the most musically diverse regions in the world, Musics of Latin America emphasizes music as a means of understanding culture and society: each author balances an analysis of musical genres with discussion of the historical and cultural trends that have shaped them. Chapters cover traditional, popular, and classical repertoire, and in-text listening guides ensure that students walk away with a solid understanding of the music.
About the Authors
Robin Moore is professor of ethnomusicology at the University of Texas, Austin. He received his B.A. (Music Composition) and M.A. (Ethnomusicology) from the University of California, Santa Barbara, and a Ph.D. in Ethnomusicology from the University of Texas at Austin, with specializations in Latin America, popular music studies, and the history of ethnomusicology. His principal research interests include music and nationalism, music and race relations, popular music, and socialist art aesthetics. He is the recipient of grants from the MacArthur, Mellon, and Rockefeller foundations. He remains active as a performer of traditional Latin American music and is currently editor of the Latin American Music Review.
Walter Aaron Clark is professor of musicology at the University of California, Riverside, where he directs the Center for Iberian and Latin American Music. He resides in Murrieta, California.
Deborah Schwartz-Kates is associate professor and chair of the musicology department at the University of Miami. Her research focuses on contemporary Argentine musics and national identity. She is the recipient of fellowships from the National Endowment for the Humanities, Pro Helvetia, and the Paul Sacher Stiftung in Basel, Switzerland.
John Koegel is professor of musicology at California State University, Fullerton. He investigates nineteenth- and twentieth-century Mexican, North American, and German American musical life, and music in California, particularly musical theater and music in the context of ethnicity and immigration.
Cristina Magaldi is associate professor at Towson University. She received her Ph.D. in musicology from the University of California, Los Angeles and also holds degrees from the University of Brasilia, Brazil (B.S.), and Reading University, England (M.Mus.). She has been a recipient of research grants from the Guggenheim Foundation and the National Endowment for the Humanities. She specializes in Latin American music, music of the Americas, popular music, and music and gender, and teaches a wide variety of courses in both historical musicology and ethnomusicology.
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