This text examines three decades of work by the artist, Nancy Spero. Her subject matter, the depiction of women, has ranged from the writings of Artaud to the Vietnam war. She collages and imprints her images of contemporary goddesses onto long papyrus-like friezes that scroll around walls, combining totemic figures with mythological and historical chronicles. This book also includes Spero's own writings many of which are published for the first time.
Jon Bird is Professor of Art and Critical Theory at Middlesex University and a tutor in the Theory Department at the Jan van Eyck Acadamie, Maastricht.
Jo Anna Isaak is the author of
The Ruin of Representation in Modern Art and Texts (1986) and
Feminism & Contemporary Art: The Revolutionary Power of Women's Laughter (1996), as well as numerous articles on contemporary art, feminism and critical theory.
Sylvère Lotringer is professor of French literature and philosophy at Columbia University and General Editor of Semiotext(e). He frequently lectures on art, and his publications include
Antonin Artaud (1989).