Narrating Demons, Transformative Texts : Rereading Genius in Mid-Century Modern Fictional Memoir
Language: English
Published by The Ohio State University Press, 2020
- Softcover
- Used

Condition: Used
US$ 15.17
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Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Narrating Demons, Transformative Texts: Rereading Genius in Mid-Century Modern Fictional Memoir, by Daniel T. O'Hara, acknowledges that the modern conception of literary genius is probably most lucidly expressed in the criticism of Lionel Trilling. But O'Hara also demonstrates that certain important and widely read mid-century modern fictional memoirs subversively return to an earlier conception that emphasizes the demonic nature of genius, a conception that is associated with the occult and the visionary and embraces the vision of evil articulated in earlier literature. O'Hara argues that Thomas Mann's Doctor Faustus (1947), Vladimir Nabokov's Lolita (1955), and William Burroughs's Naked Lunch (1959) all demonstrate an imagining of genius in art and in life that stands in stark and total opposition to the emerging post-World War II age of conformity. These influential works show that genius is inherently a dangerous reality, albeit a creative one. Despite its most transcendent appearances, the full immanence of this conception of demonic genius condemns the modern world to a Last Judgment that is every bit as severe as any envisioned in the Western religious traditions.…
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- Title
- Narrating Demons, Transformative Texts : Rereading Genius in Mid-Century Modern Fictional Memoir
- Author
- Daniel T. O'Hara
- Publisher
- The Ohio State University Press
- Publication year
- 2020
- Condition
- Hervorragend
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0814256708
- ISBN 13
- 9780814256701
- Seller catalogs
- Bücher
Narrating Demons, Transformative Texts: Rereading Genius in Mid-Century Modern Fictional Memoir, by Daniel T. O’Hara, acknowledges that the modern conception of literary genius is probably most lucidly expressed in the criticism of Lionel Trilling. But O’Hara also demonstrates that certain important and widely read mid-century modern fictional memoirs subversively return to an earlier conception that emphasizes the demonic nature of genius, a conception that is associated with the occult and the visionary and embraces the vision of evil articulated in earlier literature. O’Hara argues that Thomas Mann’s Doctor Faustus (1947), Vladimir Nabokov’s Lolita (1955), and William Burroughs’s Naked Lunch (1959) all demonstrate an imagining of genius in art and in life that stands in stark and total opposition to the emerging post–World War II age of conformity. These influential works show that genius is inherently a dangerous reality, albeit a creative one. Despite its most transcendent appearances, the full immanence of this conception of demonic genius condemns the modern world to a Last Judgment that is every bit as severe as any envisioned in the Western religious traditions.
"Synopsis" may belong to another edition of this title.
About the Author
Daniel T. O’Hara is Professor of English and First Mellon Term Professor of Humanities at Temple University.
"About the title" may belong to another edition of this title.
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