173 pages; 21 cm. Near fine. Tight, clean copy. One leaf dogeared. *** An excellent anthology on the "New Art History." *** CONTENTS: Reviewing art history, by Dawn Ades; How revolutionary is the new art history?, by Stephen Bann; On newness, art and history: reviewing Block, 1979-85, by Jon Bird; 'Something about photography theory', by Victor Burgin; Teaching and learning, by Mary F. Gormally and Pamela Gerrish Nunn; New lamps for old, by Tom Gretton; Taste and tendency, by Charles Harrison; Saussure v. Peirce: models for semiotics of visual art, by Margaret Iversen; Photography, history and writing, by Ian Jeffrey; The landscape of reaction: Richard Wilson (1713?-1782) and his critics, by Neil McWilliam and Alex Potts; Feminism, art history and cultural politics, by Lynda Nead; Pater, Stokes and art history: the aesthetic sensibility, by Michael O'Pray; The new art history and art criticism, by Paul Overy; History of art and the undergraduate syllabus: is it a discipline and how should we teach it?, by Marcia Pointon; Art's histories, by Adrian Rifkin; Art history and difference, by John Tagg. Size: 8vo.

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Bibliographic Details

Title

The New Art History

Publisher

Humanities Press International, Atlantic Highlands, NJ

Publication Date

1988

Language

English

ISBN 10

0391035525

ISBN 13

9780391035522

Binding

Paperback

Condition

Near Fine

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Synopsis

Art, Art History, Marxist Studies

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LEFT COAST BOOKS specialises in ART BOOKS, new & used, offering thousands of titles on painting, sculpture, graphic arts, architecture, design, photography, film, video & performance art. *** Simon Taylor, the business owner, was a NYC-based art critic and museum curator, who worked as Archivist for Dover Publications before launching Left Coast Books in 2003.

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LEFT COAST BOOKS
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