New Directions in Music and Human-computer Interaction
Holland, Simon (EDT); Mudd, Tom (EDT); Wilkie-mckenna, Katie (EDT); McPherson, Andrew (EDT); Wanderley, Marcelo M. (EDT)
Language: English
Published by Springer, 2019
Series: Book 18 of 32 - Springer Series on Cultural Computing
- Hardcover
- Used
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- Title
- New Directions in Music and Human-computer Interaction
- Author
- Holland, Simon (EDT); Mudd, Tom (EDT); Wilkie-mckenna, Katie (EDT); McPherson, Andrew (EDT); Wanderley, Marcelo M. (EDT)
- Publisher
- Springer
- Publication year
- 2019
- Condition
- As New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 3319920685
- ISBN 13
- 9783319920689
- Series
- Book 18 of 32: Springer Series on Cultural Computing
Computing is transforming how we interact with music. New theories and new technologies have emerged that present fresh challenges and novel perspectives for researchers and practitioners in music and human-computer interaction (HCI). In this collection, the interdisciplinary field of music interaction is considered from multiple viewpoints: designers, interaction researchers, performers, composers, audiences, teachers and learners, dancers and gamers.
The book comprises both original research in music interaction and reflections from leading researchers and practitioners in the field. It explores a breadth of HCI perspectives and methodologies: from universal approaches to situated research within particular cultural and aesthetic contexts. Likewise, it is musically diverse, from experimental to popular, classical to folk, including tango, laptop orchestras, composition and free improvisation.
"Synopsis" may belong to another edition of this title.
From the Back Cover
Computing is transforming how we interact with music. New theories and new technologies have emerged that present fresh challenges and novel perspectives for researchers and practitioners in music and human-computer interaction (HCI). In this collection, the interdisciplinary field of music interaction is considered from multiple viewpoints: designers, interaction researchers, performers, composers, audiences, teachers and learners, dancers and gamers.
The book comprises both original research in music interaction and reflections from leading researchers and practitioners in the field. It explores a breadth of HCI perspectives and methodologies: from universal approaches to situated research within particular cultural and aesthetic contexts. Likewise, it is musically diverse, from experimental to popular, classical to folk, including tango, laptop orchestras, composition and free improvisation.
"About the title" may belong to another edition of this title.
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