Knight explores the context from which the films made by Fassbinder, Wenders, Herzog, von Trotta and others emerged during the late 1960s through to the mid-1980s. It examines the American dominance of the German market place, the development of a film subsidy system, the notion and politics of an Autorenkino, the framework of European art cinema, and distribution and exhibition initiatives that helped shape a new national cinema.

About the Author

Julia Knight is Principal Lecturer in the Media Arts department at the University of Luton. She has published widely on German cinema and various aspects of British independent film and video.

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