New York Guitar Method Volume 2

Ever wonder what those chromatic notes are that jazz, rock and fusion guitar players use when they are not playing scales and arpeggios? Want to get that jazz sound where you can play a melody without chords and hear the chord progression go by just based on the melody? Look no further. The 24 chapters of this book cover all aspects of using this more advanced way of playing called approach notes. It gives you a way to organize your practice of these approach notes but it doesn't stop there.  It gives you all the fingerings for 13 different arpeggios in 4 positions on the guitar.  If includes all the upper four string chord voicings so you can bring your funk, R + B, and jazz chord playing to another level.  It also demystifies Passing diminished scales and gives you a detailed list of how chords and scales interact.  A Chord Reharmonization is also included to show you how you can change chord progressions to make them more interesting and dynamic. A must own for any guitarist that wants to understand the advanced knowledge that most progressive rock, fusion and jazz players posses.

The following Chords are covered:
Major7
Minor7
Dominant7
Minor7b5
Diminished7
Dominant7sus4
MinorMajor7
Major7#5
Major7#11
Dominant7#5
Dominant7#11
Major6
Minor6
Major79
Minor9
Dominant9
Dominant9sus4
Minor7b5add9
Diminished7add9
MinorMajor79
Major7#59
Major76
Minor11
Dominant9

The following Arpeggios are covered:
Major7
Minor7
Dominant7
Minor7b5
Dominant7sus4
MinorMajor7
Major7#5
Dominant7#5

The following applications of Approach Notes are covered:
Chromatic figures
Diatonic figures
Chord Tones on Beats 1 and 3
Chord Tones on a 2 5 1 Progression
Chord Tones on Every Beat
Tensions
Superimpositions
Reharmonization
Major Scale
Bebop Scales
Chord Tones Off the Beat
Modal Sequencing
Delayed Resolution
Approaching Approach Notes
Compound Approaches
Intervallic Approaches
Intervallic Structure 027 by Chord
Intervallic Structure 027 by Key
Intervallic Structure 013 by Chord
Intervallic Structure 013 by Key

There is a companion volume New York Guitar Method Ensemble Book Two which applies the information learned in this book along with other sight reading exercises. Equipped with the musical foundation of these two books, the guitarist will gain a deep understanding and mastery of contemporary music.

Guitarist Bruce Arnold has developed an extensive reputation as a composer educator and guitar virtuoso. He has created a unique signature sound that stems from his combination of jazz techniques and 20th Century compositional methods. He has played with such diverse musicians as Stuart Hamm, Peter Erskine, Joe Pass, Joe Lovano, Randy Brecker, Stanley Clarke, the Boston Symphony Orchestra. Mr. Arnold is also deeply devoted to music education and had written more than 60 music instruction. Mr. Arnold currently teaches at Princeton University. He has taught at some of the most prestigious music schools in America, including the New England Conservatory of Music, Dartmouth College, Berklee College of Music, New School University, City College of New York and NYU.