Synopsis
Nicola Staeglich transforms color and traces of the act of painting into complex pictorial spaces that exude light and make time visible. Using an extra-wide brush, she applies luminous oil paints to (semi-) transparent foils and solid support media made from acrylic glass. Each movement of her body leaves a distinct mark on the paintings. Once the works are placed in the exhibition space, they absorb their environment and ambient light as well as the eye. The artist’ s experimental approach generates a rich dynamic: paint hovers in mid-air, disembodied, while a constant oscillation between color and surface, between pictorial body and setting unlocks novel dimensions in space and time. The picture continually coalesces in the eye of the beholder, metamorphosing as the angle of incidence shifts and the mind parses the traces and strata of paint. Even in printed form, Staeglich’ s works convey a rousing vitality. The catalogue accompanies Staeglich’ s solo exhibition at Stä dtische Galerie Waldkraiburg.
About the Author
Larissa Kikol (1986*) is a freelance art critic and art historian. She writes for Kunstforum International, Monopol Online, Die Zeit, art das Kunstmagazin, Die Kunstzeitung, mare die Zeitschrift der Meere, Spiegel Online and Halle 4 - the online magazine of the Deichtorhallen Hamburg, among others. She also writes for artist catalogs, museum publications and gallery exhibitions. Stephan Berg is a German curator and museum director. Berg grew up in Paris and London. He studied German, English and history in Tü bingen, Berlin, Rome and Freiburg. He received his doctorate in 1989 with a dissertation on fantastic literature. Since the mid-1980s, Berg has been writing as a freelance journalist in the field of visual arts for the Frankfurter Allgemeine Zeitung, Kunstforum international, Kunstbulletin and artist, among others. Stephan Berg has been an honorary professor at the Braunschweig University of Art since 2004. Elke Keiper is an art historian. After working in Freiburg and Villlingen-Schwenningen, she took on a new role in Waldkraiburg 20 years ago: managing the town's museums and gallery.
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