Nineteenth-Century Programme Music : Creation, Negotiations, Reception

Kregor, Jonathan (EDT)

ISBN 10: 2503583466 / ISBN 13: 9782503583464

Published by Brepols Publishers, 2019

About this Item

Unread book in perfect condition.

Seller Inventory # 35188784

Bibliographic Details

• Title: Nineteenth-Century Programme Music : Creation, Negotiations, Reception
• Publisher: Brepols Publishers
• Publication Date: 2019
• Language: English
• ISBN 10: 2503583466
• ISBN 13: 9782503583464
• Binding: Hardcover
• Condition: As New

About this title

Synopsis

The history of program music stretches back centuries, but only in the nineteenth century did it enter into widespread use. Indeed, seminal compositions by Ludwig van Beethoven and Frederic Chopin to Arnold Schoenberg and Jean Sibelius have helped program music to secure a position within the artistic pantheon, albeit not without bringing a significant amount of controversy in tow. Yet despite its ubiquitous presence in the nineteenth century, scholarship has not adequately articulated the full extent of program music's range and impact. This volume explores the diverse ways in which program music was defined, historicized, practiced, disseminated, and judged. It considers how biography, tradition, and function informed the compositional approaches taken by Beethoven, Joseph Joachim, Ethel Smyth, and Zygmunt Noskowski, among others. It draws on extra-musical elements-novels, poems, lithographs, and other forms of creative expression-to determine the ontological profile of works by Chopin, Franz Liszt, Antonio Pasculli, Piotr Tchaikovsky, and Leos Jana?ek. It situates compositions by Johannes Brahms, Gustav Mahler, Sibelius, and Schoenberg within the ongoing discourse around Hanslickian absolute and Lisztian program music. And it visits major European cities to highlight the critical streams of reception toward the end of the century. Throughout, it repeatedly engages with questions of generic identity (with special attention given to the symphonic poem), issues of narrativity and topicality, and considerations of form and structure.