Synopsis
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryN026370A friend to civil and religious liberty = John Wilkes. Originally issued serially, as a weekly. Printed on the press installed in Wilkes's house in 1763 (G. Nobbe, 'The North Briton').[London, 1763]. [4],332, [8]p.; 8
About the Author
John Wilkes studied sculpture at the Royal College of Art. While in London, he met the mathematician George Adams and later Theodor Schwenk, a pioneer in water research and author of Sensitive Chaos. In 1961 Wilkes joined the Institute for Flow Sciences in Herrischried, Germany, and his research over many years into the flow and rhythm of water eventually led to the Flowform Method in 1970. He worked concurrently at the Goetheanum in Switzerland, researching and restoring Rudolf Steiner s sculptural and architectural models. In 1966, he began contributing at Emerson College in Forest Row, Sussex. He is currently director of the Virbela Rhythm Research Institute.
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