Nothing To Fear (Paperback). This item is unavailable.
Language: English
Published by Fayetteville Mafia Press, Gahanna, 2023
- Softcover
- New

Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
AbeBooks seller since October 12, 2005
Condition: New
US$ 26.46
Item description from seller
Paperback. In 1956, Alfred Hitchcock focused his lens on an issue that cuts to the heart of ourcriminal justice system: the risk of wrongful conviction. The result was The Wrong Man, a bracing drama based on the real-life false arrest of Queens musician Christopher " Manny" Balestrero. Manny's ordeal is part of a larger story of other miscarriages of justice in the first half of the twentieth century. Attorney Jason Isralowitz tells this story in a revelatory book that situates both the Balestrero case and its cinematic counterpart in their historical context. Drawing from archival records, Isralowitz delivers a gripping account of Manny' s trial and new insights into an errant prosecution. He then examines how Hitchcock' s film bears witness to issues that animate the contemporary innocence movement. Given the hundreds of exonerations of the wrongfully convicted in recent years, this genre-bending work of true crime and film history is a must-read. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…
Seller Inventory # 9781949024425
- Title
- Nothing To Fear (Paperback)
- Author
- Jason Isralowitz
- Publisher
- Fayetteville Mafia Press, Gahanna
- Publication year
- 2023
- Condition
- new
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1949024423
- ISBN 13
- 9781949024425
In 1956, Alfred Hitchcock focused his lens on an issue that cuts to the heart of our criminal justice system: the risk of wrongful conviction. The result was The Wrong Man, a wrenching and largely overlooked drama based on the real-life arrest of Queens musician Christopher "Manny" Balestrero for two robberies he did not commit.
With documentary-like authenticity, Hitchcock and his team meticulously re-created Manny's journey through the corridors of justice and the devastating effect of the arrest on his wife, Rose. In so doing, the director cast a damning light on New York's history of mistaken identity cases. The Balestreros fell victim to the same rush to judgment and suggestive eyewitness identification procedures that had doomed innocent defendants in earlier cases. Their ordeal is part of a larger story of the state's failure to reckon with its role in other wrongful prosecutions in the first half of the twentieth century.
Attorney Jason Isralowitz tells this story in a revelatory book that situates both the Balestrero case and its cinematic counterpart in their historical context. Drawing from archival records, Isralowitz delivers a gripping account of Manny's trial and new insights into an errant prosecution. He then examines how Hitchcock fused striking visual motifs with social realism to create a timeless work of art, with memorable performances by Henry Fonda and Vera Miles. The film bears witness to issues that animate the contemporary innocence movement, including the unreliability of eyewitness testimony, the need for police lineup reforms, and the dangers of investigative "tunnel vision."
A genre-bending work of true crime and film history, Nothing to Fear: Alfred Hitchcock and the Wrong Men is a must-read not only for fans of Hitchcock, but also for anyone interested in the history and causes of wrongful convictions.
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