From the art of the Greeks to that of Renoir and Moore, this work surveys the ever-changing fashions in what has constituted the ideal nude as a basis of humanist form.

Review

The simple and often quite beautiful statement of a man of letters . . . [in] a book which is as much a pleasure to read as it is informative and provocative. -- The New York Times

A feminist critique of a male (and Western) view of the Tantric tradition [and also] a balanced reassessment of a tradition too long misunderstood. -- Parabola

Probably no one else alive today writes about art with Sir Kenneth's precise combination of intelligence, urbanity, and erudition. . . . This is an important book and a fascinating one, and the illustrations do much to illuminate it. -- The New Yorker

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