The Objects That Remain (Dimyonot: Jews and the Cultural Imagination)
Language: English
Published by Penn State University Press (edition 1), 2020
Series: Book 7 of 8 - Dimyonot: Jews and the Cultural Imagination
- Hardcover
- Used

Seller: BooksRun, Philadelphia, PA, U.S.A.BooksRun
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Condition: Used - Very good
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With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
Seller Inventory # 027108782X-8-1-29
- Title
- The Objects That Remain (Dimyonot: Jews and the Cultural Imagination)
- Author
- Levitt, Laura
- Publisher
- Penn State University Press (edition 1)
- Publication year
- 2020
- Condition
- Very Good
- Dust jacket
- Dust Jacket Included
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 027108782X
- ISBN 13
- 9780271087825
- Edition
- 1.
- Series
- Book 7 of 8: Dimyonot: Jews and the Cultural Imagination
On a November evening in 1989, Laura Levitt was raped in her own bed. Her landlord heard the assault taking place and called 911, but the police arrived too late to apprehend Laura’s attacker. When they left, investigators took items with them―a pair of sweatpants, the bedclothes―and a rape exam was performed at the hospital. However, this evidence was never processed.
Decades later, Laura returns to these objects, viewing them not as clues that will lead to the identification of her assailant but rather as a means of engaging traumatic legacies writ large.
The Objects That Remain is equal parts personal memoir and fascinating examination of the ways in which the material remains of violent crimes inform our experience of, and thinking about, trauma and loss. Considering artifacts in the United States Holocaust Memorial Museum and evidence in police storage facilities across the country, Laura’s story moves between intimate trauma, the story of an unsolved rape, and genocide. Throughout, she asks what it might mean to do justice to these violent pasts outside the juridical system or through historical empiricism, which are the dominant ways in which we think about evidence from violent crimes and other highly traumatic events.
Over the course of her investigation, the author reveals how these objects that remain and the stories that surround them enable forms of intimacy. In this way, she models for us a different kind of reckoning, where justice is an animating process of telling and holding.
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