Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. This item is unavailable.
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Language: English
Published by Serpent's Tail, 2000
- Softcover
- Used

Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)
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Softcover
Condition: Used - Good
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Item description from seller
Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Seller Inventory # 00105990146
- Title
- Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds
- Author
- Toop, David
- Publisher
- Serpent's Tail
- Publication year
- 2000
- Condition
- Good
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 185242382X
- ISBN 13
- 9781852423827
An extraordinary work of sonic history that travels from the rainforests of the Amazon to virtual Las Vegas, from erik Satie to the Velvet Underground, from the new digital technology to the sounds of war, in exploration of a new musical culture. Also includes extensive discography and bibliography.
"Synopsis" may belong to another edition of this title.
Reviews
Ethereal, ambient sound is a passion in certain circles in England and the U.S. Toop traces the twentieth-century history of music that "could be characterised [sic] as drifting or simply existing in stasis rather than developing in any dramatic fashion." For Toop, the lineage of such music includes Javanese pulsation, the recording-studio-as-instrument excursions of Jamaican dub pioneer Lee "Scratch" Perry and Beach Boy Brian Wilson, John Cage's Zen composition theories, and a plethora of jazz players, most notably Sun Ra and Miles Davis. Toop argues that these disparate influences are incorporated in the work of such contemporary "techno" musicians and DJs as Aphex Twin and the Orb. Toop does not use recordings as his only references but, like the wandering music he describes, touches on science fiction, semiotic theory, and his own travels in this expansive treatise. He incorporates all these subjects into a clear and direct book that may appeal even to readers whose listening preferences are more conventional. Aaron Cohen
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