Synopsis
Now in a paperback edition, David Amram retraces in this engaging memoir the creative paths he followed through restless days and long, exhilarating nights with his collaborator and friend Jack Kerouac. With candor and humor, Amram illuminates the private side of Kerouac, his extraordinary intellect and his ardent pursuit of music and literature. Among the last of a generation that altered the style and substance of the arts in its time, Amram also celebrates in this wise and affecting book the renaissance of interest in Kerouac’s work three decades after his death. Photographs are included. “[A] compassionate, firsthand portrait.”—Eric P. Nash, The New York Times Book Review “... every bit as radiant as his enduringly popular first memoir, Vibrations.”—Donna Seaman, Booklist “[A]n unpretentious, freewheeling festival of highly diverting tales.”—Kirkus Reviews “[Offbeat] is most valuable for its narrative of the ongoing restoration of Kerouac’s literary reputation.”—Paul A. Bergin, St. Petersburg Times
About the Author
David Amram has composed more than one hundred orchestral and chamber works; written many scores for Broadway theater and film, including the classic scores for the films Splendor in the Grass and The Manchurian Candidate; composed two operas, including the ground-breaking Holocaust opera The Final Ingredient; and composed the score for the landmark 1959 documentary Pull My Daisy, narrated by Jack Kerouac. He is the author of the books Vibrations, an autobiography, Offbeat: Collaborating with Kerouac, and Upbeat: Nine Lives of a Musical Cat." A pioneer of jazz French horn and World Music, he is also a virtuoso on piano, numerous flutes and whistles, percussion, and dozens of folkloric instruments from twenty-five countries. He is also an inventive, funny improvisational lyricist. He has collaborated with Leonard Bernstein, who chose him as the New York Philharmonic’s first composer-in-residence in 1966, Langston Hughes, Dizzy Gillespie, Willie Nelson, Thelonious Monk, Odetta, Elia Kazan, Arthur Miller, Charles Mingus, Wynton Marsalis, Lionel Hampton, Johnny Depp, Tito Puente, and many others. Amram’s most popular recent works are Giants of the Night, a flute concerto commissioned and premiered by Sir James Galway and dedicated to the memory of Charlie Parker, Jack Kerouac, and Dizzy Gillespie, and Symphonic Variations on a Song by Woody Guthrie. Today, Amram continues to compose music while traveling the world as a conductor, soloist, band leader, visiting scholar, and narrator in five languages. He is currently collaborating with author Frank McCourt on Missa Manhattan, for narrator, chorus, and orchestra, and composing a new piano concerto. All of his concert music is published by C. F. Peters Corporation.
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