Old Clothes, New Looks : Second Hand Fashion

Recent interest in 'vintage' and second hand clothes by both fashion consumers and designers is only the latest manifestation of a long and complex cultural history of wearing and trading second hand clothes. With its origins in necessity, the passing of clothes between social and economic groups is now a global business, but with roots that are centuries old. To move from one social and cultural situation to another used clothes must be 'transformed' to become of potential value to a new social group. How, when and why this has happened is the subject of this book. Old Clothes, New Looks presents a three-part focus on the history, the trading culture, and the contemporary refashioning of second hand clothing. Historical perspectives include studies located in Renaissance Florence, early industrial England, colonial Australia, and mid twentieth-century Ireland. The global nature of the second hand trade in clothing is presented through original research from Zambia, India, the Philippines, Hong Kong, and Japan. The reuse of garments as contemporary fashion statements is explored through studies that include neo-mod retro-sixties subculture in Germany, the impact of 'vintage' in the USA on consumers and designers, as well as consideration of its sartorial and cultural challenges, encapsulated by the work of designer XULY.Bet. This groundbreaking book will be essential reading for all those interested in fashion and dress, material culture, consumption and anthropology, as well as to dealers, collectors and wearers of second hand clothes.

Hazel Clark is Professor of Design Studies and Fashion Studies, and Research Chair of Fashion at Parsons School of Design, New York, USA. Her books include the co-edited Old Clothes, New Looks (Berg, 2005) and Design Studies: A Reader (Berg, 2009).

Joanne B. Eicher was Regents Professor Emerita at the University of Minnesota. Joanne was Editor-in-Chief, Encyclopedia of Dress and Fashion (Bloomsbury and OUP); Series Editor, Dress, Body, Culture (Bloomsbury) and Dress and Fashion Research (Bloomsbury); Editor, Global Trade and Cultural Authentication: The Kalabari of the Niger Delta; and Co-Author, The Visible Self (Fairchild); Dress and Gender (Berg); Dress and Ethnicity (Berg); Beads and Beadmakers (Berg); Mother, Daughter, Sister, Bride (National Geographic); and a wide variety of published articles in professional journals and chapters in books.

Alexandra Palmer is the Nora E. Vaughan Fashion Costume Senior Curator and Chair of the Veronika Gervers Research Fellowship in Textiles & Costume at the Royal Ontario Museum, Canada.