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Shadyside Books, Pittsburgh, PA, U.S.A.
Seller rating 4 out of 5 stars
AbeBooks Seller since January 7, 2019
1994 Second Printing. Softcover. Good. Wearing on the covers. Edgewear. Interior is unmarked. Contains one hundred and eighty-seven illustrations. 241p. Seller Inventory # 13967
Demonstrating the ideas that make great architecture possible, an architectural critic charts the course of the art, showing how architects lost their sure course around 1830 and explaining how to recapture the basics that can improve our visual environment
Reviews:
In a compelling manifesto that addresses the puzzlement of why new buildings are so often ugly compared to those of earlier eras, Hale, a Boston architect and critic, argues that until around 1830 virtually every building was designed as a composition of interrelated elements in accordance with an age-old tradition of harmony, geometry and adaptation of natural forms. Beginning with the Greek Revival, he contends, this intuitive way of seeing and designing was lost, leading ultimately to the pretension, blandness and downright unattractiveness of most modern architecture. While praising the Bauhaus as a valiant attempt to reintegrate time-honored aesthetic values into the industrialized world, Hale deems the modernist International Style a failure. He proposes Frank Lloyd Wright's organic style as a touchstone for architects seeking to create buildings that are alive and resonant with meaning. This impassioned essay, interspersed with social history, includes scores of photographs of buildings, some of which are overlaid with what Hale calls a pattern of "regulating lines" that fit the elements of the design into a proportional system. As he shows, "Whether the designer knew he was creating the pattern is less important than that the pattern is there." Illustrations.
Copyright 1994 Reed Business Information, Inc.
An architect and critic elaborates on what most of us see when we look at much of modern architecture: buildings that are lifeless and just plain ugly. Hale laments the current state of architecture and the loss of ``harmonious design,'' an art that involves play and intuition. ``A great building can give us the same exhilaration we experience in a natural landscape,'' he writes. He urges architects and designers to rediscover the beauties of natural law and geometry, to abandon the fragmentation he sees as characteristic of postmodern architecture. He offers a historical summary of how building strayed, in the middle of the 19th century coincident with the Industrial Revolution, from the intuitive verities of harmony and balance, forsaking meaningful patterns for crude symbolism or somber functionality. Photos. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.
Intended for the lay reader, this primer on design explores a number of interesting byways, from symbolism to scale, context, regulating lines, and pattern languages. Practiced New England architect and architectural writer Hale offers a paean to the past, more specifically a preindustrial past when, in his words, "one could walk down any street and be surrounded by harmonious buildings." It all began to fall apart in the 1830s, according to Hale, when the Greek Revival replaced substance with symbol. Hale revolts at the prospect of a rampant industrialism and everything else Modern Architecture implied: internationalism, uniformity, and universalism. Gentle, wise, and perceptive, he is a child of postmodernism. Recommended for public libraries.
Peter Kaufman, Boston Architectural Ctr.
Copyright 1994 Reed Business Information, Inc.
Title: The Old Way Of Seeing: How Architecture Lost...
Publisher: Houghton Mifflin Co, Boston
Publication Date: 1994
Binding: Softcover
Condition: Good
Seller: Book Booth, Berea, OH, U.S.A.
Paperback. Condition: Good. Highlighting & underlining to text; binding tight; 5" crease to back cover lower left corner, else minor wear to covers. 241 pages. Illustrated. Subtitled 'How Architecture Lost Its Magic (and How to Get It Back)." Size: 7" x 10". Seller Inventory # S217-058704
Seller: Bookmans, Tucson, AZ, U.S.A.
Hardcover. Condition: Acceptable. Minor Water Damage Some shelf wear Satisfaction 100% guaranteed. Seller Inventory # mon0002690441
Seller: Goodwill San Antonio, San Antonio, TX, U.S.A.
Condition: Good. Good Reading Copy, May have minor shelf wear, Fast Shipping - Safe and Secure in Mailer. Seller Inventory # 4Q2SPP002030
Seller: Griffin Books, Stamford, CT, U.S.A.
hardcover. Condition: Very Good. Looks unread but jacket shows shelf wear. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal. Seller Inventory # 127944
Seller: A Cappella Books, Inc., Atlanta, GA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Seller Inventory # 358153
Seller: El Gato de Papel, MOUNTAINSIDE, NJ, U.S.A.
Soft cover. Condition: Very Good. 1st Edition. Sorcover book in VERY GOOD condition. 1st edition, 1994. Crease on back cover. Slightly bumped corners. Actual book is pictured. See images provided. Tight binding. All pages clean without any markings or folds. 241 pages with b&w photos and drawings. Synopsis This fresh and provocative book answers a question that countless people have asked about our man-made world: How did things get so ugly? We have all admired the natural grace of old buildings and wondered why modern architects seem to have such a hard time creating their equal. We live in a time when only a few gifted and dedicated teams of designers can produce buildings that approach the beauty of these that eighteenth-century carpenters created all by themselves. What went wrong? In this fascinating tour of our buildings and our social history, Jonathan Hale examines the historical moment in the 1830s when builders and architects began to lose their sense of surety about what they were doing. He explores the societal pressures that turned buildings from pure efforts at expression into structures laden with symbols. Most important, he uncovers - in terms the lay reader can easily understand - the principles that animate great architecture, no matter what its style or period. Seller Inventory # 240446
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780395605738. Seller Inventory # 8624286
Quantity: 1 available
Seller: Toscana Books, AUSTIN, TX, U.S.A.
Hardcover. Condition: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. Seller Inventory # Scanned0395605733
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00094533907
Seller: DeckleEdge LLC, Albuquerque, NM, U.S.A.
hardcover. Condition: new. Seller Inventory # Shelfdream0395605733