Omnibus Films

David Scott Diffrient

ISBN 10: 0748695664 / ISBN 13: 9780748695669

Published by Edinburgh University Press, GB, 2014

About this Item

Omnibus films bring together the contributions of two or more filmmakers. Does this make them inherently contradictory texts? How do they challenge critical categories in cinema studies? What are their implications for auteur theory?As the first book-length exploration of internationally distributed, multi-director episode films, David Scott Diffrient's Omnibus Films: Theorizing Transauthorial Cinema fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and transnational production and reception. Delving into such unique yet representative case studies as If I Had a Million (1932), Forever and a Day (1943), Dead of Night (1945), Quartet (1948), Love and the City (1953), Boccaccio '70, (1962), New York Stories (1989), Tickets (2005), Visions of Europe (2005), and Paris, je t'aime (2006), this book covers much conceptual ground and crosses narrative as well as national borders in much the same way that omnibus films do.Omnibus Films is a particularly thought-provoking book for those working in the fields of auteur theory, film genre and transnational cinema, and is suitable for advanced students in Cinema Studies.

Seller Inventory # LU-9780748695669

Bibliographic Details

• Title: Omnibus Films
• Publisher: Edinburgh University Press, GB
• Publication Date: 2014
• Language: English
• ISBN 10: 0748695664
• ISBN 13: 9780748695669
• Binding: Paperback
• Condition: New
• Weight: 433 grams

About this title

Synopsis

Omnibus films bring together the contributions of two or more filmmakers. Does this make them inherently contradictory texts? How do they challenge critical categories in cinema studies? What are their implications for auteur theory?
As the first book-length exploration of internationally distributed, multi-director episode films, David Scott Diffrient’s Omnibus Films: Theorizing Transauthorial Cinema fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and transnational production and reception. Delving into such unique yet representative case studies as If I Had a Million (1932), Forever and a Day (1943), Dead of Night (1945), Quartet (1948), Love and the City (1953), Boccaccio ’70, (1962), New York Stories (1989), Tickets (2005), Visions of Europe (2005), and Paris, je t’aime (2006), this book covers much conceptual ground and crosses narrative as well as national borders in much the same way that omnibus films do.
Omnibus Films is a particularly thought-provoking book for those working in the fields of auteur theory, film genre and transnational cinema, and is suitable for advanced students in Cinema Studies.

About the Author

David Scott Diffrient is Professor of Film and Media Studies at Colorado State University