- Hardcover
- New



Seller: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
AbeBooks seller since June 10, 2025
Condition: New
US$ 27.83
Quantity: 17 available
Add to basketItem description from seller
Blunt, irreverent, and at times wittily subversive, Opera Wars spotlights opera's colorful and sometimes warring personalities, increasingly fierce controversies over content, and the battles being waged for its economic future.Drawing on interviews with dozens of opera insiders-as well as her own experience as an award-winning librettist, trained vocalist, opera company director, and arts commentator-Caitlin Vincent deftly unravels clichés and presumptions, exposing such debates as how much fidelity is owed to long-dead opera composers whose plots often stir racial and gender sensitivities, whether there's any cure for typecasting that leaves talented performers out of work and other performers chained to the same roles, and what explains the bizarre kowtowing of opera companies to the demands of traditionalist patrons. Vincent never shrinks from depicting the industry's top-to-bottom messiness and its stubborn resistance to change. Yet, like a lover who can't quite break away, she always comes back to her veneration for the artform and in these pages stirringly evokes those moments on stage that can be counted on to make ardent fans of the most skeptical.…
Seller Inventory # LU-9781668084069
- Title
- Opera Wars
- Author
- Caitlin Vincent
- Publisher
- Simon and Schuster, US
- Publication year
- 2026
- Condition
- New
- Binding
- Hardback
- Language
- English
- ISBN 10
- 1668084066
- ISBN 13
- 9781668084069
- Item weight
- 460 grams
- Dimensions
- 15.24 x 2.79 x 22.86 cm
Drawing on interviews with dozens of opera insiders—as well as her own experience as an award-winning librettist, vocalist, opera company director, and arts commentator—Caitlin Vincent deftly unravels clichés and presumptions, exposing such debates as how much fidelity is owed to long-dead opera composers whose plots often stir debates over race and gender, whether there’s any cure for typecasting that leaves talented performers out of work and other performers chained to the same roles, and what explains the bizarre kowtowing of opera companies to the demands of traditionalist patrons.
Vincent never shrinks from depicting the opera industry’s top-to-bottom messiness and its stubborn resistance to change. Yet, like a lover who can’t quite break away, she always comes back to her veneration for the art form and in these pages stirringly evokes those moments on stage that can be counted on to make ardent fans of the most skeptical.
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