- Hardcover
- New



Item image 1 of 2.
Seller: Rarewaves.com USA, London, London, United KingdomRarewaves.com USA
5-star seller
AbeBooks seller since June 11, 2025
Hardcover
Condition: New
US$ 23.34
Free Shipping
Ships from United Kingdom to U.S.A.
Quantity: Over 20 available
Add to basketFree 30-day returns
Item description from seller
Blunt, irreverent, and at times wittily subversive, Opera Wars spotlights opera's colorful and sometimes warring personalities, increasingly fierce controversies over content, and the battles being waged for its economic future.Drawing on interviews with dozens of opera insiders-as well as her own experience as an award-winning librettist, trained vocalist, opera company director, and arts commentator-Caitlin Vincent deftly unravels clichés and presumptions, exposing such debates as how much fidelity is owed to long-dead opera composers whose plots often stir racial and gender sensitivities, whether there's any cure for typecasting that leaves talented performers out of work and other performers chained to the same roles, and what explains the bizarre kowtowing of opera companies to the demands of traditionalist patrons. Vincent never shrinks from depicting the industry's top-to-bottom messiness and its stubborn resistance to change. Yet, like a lover who can't quite break away, she always comes back to her veneration for the artform and in these pages stirringly evokes those moments on stage that can be counted on to make ardent fans of the most skeptical.
Seller Inventory # LU-9781668084069
- Title
- Opera Wars
- Author
- Caitlin Vincent
- Publisher
- Simon and Schuster, US
- Publication year
- 2026
- Condition
- New
- Binding
- Hardback
- Language
- English
- ISBN 10
- 1668084066
- ISBN 13
- 9781668084069
- Item weight
- 460 grams
- Dimensions
- 15.24 x 2.79 x 22.86 cm
Blunt, irreverent, and at times delightfully subversive, Opera Wars spotlights opera’s colorful and sometimes warring personalities, increasingly fierce controversies over content, and the battles being waged for its economic future—a “colorful, witty look behind the velvet curtain” (Renée Fleming).
Drawing on interviews with dozens of opera insiders—as well as her own experience as an award-winning librettist, trained vocalist, opera company director, and arts commentator—Caitlin Vincent “gives us the insider’s backstage view” (Financial Times), deftly unraveling clichés and presumptions. She exposes such debates as how much fidelity is owed to long-dead opera composers whose plots often stir racial and gender sensitivities, whether there’s any cure for typecasting that leaves talented performers out of work and other performers chained to the same roles, and what explains the bizarre kowtowing of opera companies to the demands of traditionalist patrons.
Vincent never shrinks from depicting the industry’s top-to-bottom messiness and its stubborn resistance to change. Yet, like a lover who can’t quite break away, she always comes back to her veneration for the artform, and in these pages—"suitable for young operaphiles-in-training and budding sopranos alike” (The Wall Street Journal)—she stirringly evokes those moments on stage that can be counted on to make ardent fans of the most skeptical.
Drawing on interviews with dozens of opera insiders—as well as her own experience as an award-winning librettist, trained vocalist, opera company director, and arts commentator—Caitlin Vincent “gives us the insider’s backstage view” (Financial Times), deftly unraveling clichés and presumptions. She exposes such debates as how much fidelity is owed to long-dead opera composers whose plots often stir racial and gender sensitivities, whether there’s any cure for typecasting that leaves talented performers out of work and other performers chained to the same roles, and what explains the bizarre kowtowing of opera companies to the demands of traditionalist patrons.
Vincent never shrinks from depicting the industry’s top-to-bottom messiness and its stubborn resistance to change. Yet, like a lover who can’t quite break away, she always comes back to her veneration for the artform, and in these pages—"suitable for young operaphiles-in-training and budding sopranos alike” (The Wall Street Journal)—she stirringly evokes those moments on stage that can be counted on to make ardent fans of the most skeptical.
"Synopsis" may belong to another edition of this title.
About the Author
Caitlin Vincent is an award-winning librettist, trained vocalist, opera company director, and arts commentator. Her librettos have won all three of America’s top opera prizes and her vocal work is featured on the Grammy Award–nominated album 40@40. Vincent was the artistic director of The Figaro Project from 2009 to 2014. She writes frequently on the arts for such outlets as The Conversation and Limelight, and her perspective on opera has been featured in The New York Times. She holds a PhD from Deakin University (Australia), an MM from Peabody Conservatory at Johns Hopkins, and a BA from Harvard. She was born in the US but currently makes her home in Melbourne, Australia.
"About the title" may belong to another edition of this title.
Rarewaves.com USA
London, London, United Kingdom
5-star seller
AbeBooks seller since June 11, 2025
Shipping rates from United Kingdom to U.S.A.
| Item | 11 to 16 business days | 11 to 16 business days |
|---|---|---|
| First item | US$ 0.00 | US$ 0.00 |
Payment methods
Seller's business information
RAREWAVES.COM LIMITED
Elsley Court, 20-22 Great Titchfield Street
London, United Kingdom W1W 8BE
Shipping terms
Please note that we do not offer Priority shipping to any country.
We currently do not ship to the below countries:
Russia
Belarus
Ukraine
Please do not attempt to place orders with any of these countries as a ship to address - they will be cancelled.