Opera Wars: Inside the World of Opera and the Battles for Its Future. This item is unavailable.
Language: English
Published by Scribner, 2026
- Hardcover
- Used

Seller: World of Books Inc, Montgomery, IL, U.S.A.World of Books Inc
AbeBooks seller since March 23, 2026
Condition: Used - Very good
US$ 8.82
Item description from seller
Blunt, irreverent, and at times wittily subversive, Opera Wars spotlights opera?s colorful and sometimes warring personalities, increasingly fierce controversies over content, and the battles being waged for its economic future.Drawing on interviews with dozens of opera insiders?as well as her own experience as an award-winning librettist, trained vocalist, opera company director, and arts commentator?Caitlin Vincent deftly unravels clichés and presumptions, exposing such debates as how much fidelity is owed to long-dead opera composers whose plots often stir racial and gender sensitivities, whether there?s any cure for typecasting that leaves talented performers out of work and other performers chained to the same roles, and what explains the bizarre kowtowing of opera companies to the demands of traditionalist patrons. Vincent never shrinks from depicting the industry?s top-to-bottom messiness and its stubborn resistance to change. Yet, like a lover who can?t quite break away, she always comes back to her veneration for the artform and in these pages stirringly evokes those moments on stage that can be counted on to make ardent fans of the most skeptical.…
Seller Inventory # CIN1668084066VG
- Title
- Opera Wars: Inside the World of Opera and the Battles for Its Future
- Author
- Caitlin Vincent
- Publisher
- Scribner
- Publication year
- 2026
- Condition
- Very Good
- Binding
- Hardback
- Language
- English
- ISBN 10
- 1668084066
- ISBN 13
- 9781668084069
Drawing on interviews with dozens of opera insiders—as well as her own experience as an award-winning librettist, vocalist, opera company director, and arts commentator—Caitlin Vincent deftly unravels clichés and presumptions, exposing such debates as how much fidelity is owed to long-dead opera composers whose plots often stir debates over race and gender, whether there’s any cure for typecasting that leaves talented performers out of work and other performers chained to the same roles, and what explains the bizarre kowtowing of opera companies to the demands of traditionalist patrons.
Vincent never shrinks from depicting the opera industry’s top-to-bottom messiness and its stubborn resistance to change. Yet, like a lover who can’t quite break away, she always comes back to her veneration for the art form and in these pages stirringly evokes those moments on stage that can be counted on to make ardent fans of the most skeptical.
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