Unlock the origins of tragedy through an anthropological lens that informs today’s understanding of Greek drama.
This classic study argues that tragedy grew from the worship of the dead and the cult of Dionysus, offering a fresh view beyond the usual myths and timelines.
The author traces a bold, evidence-based path to how tragedy began, examining early Greek ritual, the role of the Dorians, and the emergence of the chorus and leading performer. It also explores how the Satyric drama related to tragedy and how ritual elements shaped the stage, symbols, and festival practices.
- Key claims about the origin of tragedy and its connection to Dionysian worship
- Early dramatic forms, including the role of Thespis in setting tragedy on a firm basis
- The Thymele as a central altar and its importance in ritual with the stage
- Cross-cutting discussion of dithyrambs, mimic dances, and classical sources
Ideal for readers of classical drama, archaeology, and ancient religious practice seeking a deeper, methodical view of tragedy’s roots.
William Ridgeway is an accomplished scholar of Asian studies and has translated numerous books, novellas, and scholarly articles, notably the work of Natsume Soseke.