Original Intentions : Essays on Production, Reproduction and Interpretation in the Arts of China
Language: English
Published by University Press of Florida, 2012
- Hardcover
- New

Condition: New
US$ 1,976.00
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Investigates the controversial practice of art replication"An excellent survey of scholarship surrounding some of the most fundamental issues in the study of Chinese art. Ranging from Chinese bronzes through Buddhist painting and imperial patronage to the development of the modern scholarly field of Chinese art history and contemporary art, it will be an important resource for many different readers."--Shawn Eichman, Honolulu Academy of ArtsFor both museums and collectors, questions of "authenticity" often dominate the decision to acquire a new work. This issue is especially thorny for Westerners when dealing with Chinese art. Believing that everything has a precedent, Chinese artists were never bashful about reproducing art, typically seeing less of a difference between the original work and reproductions. As a result, replication has often been considered a fundamental mode of production in Chinese art, with roots extending to antiquity. In turn, some collectors would knowingly brandish originals next to replicas while others completely rejected the idea of imitations as artworks. The essays in Original Intentions explore the highly controversial questions of faking, copying, and replicating Chinese painting, bronzes, ceramics, works on paper, and sculpture. Offering a broad range of perspectives on conservation, technical analysis, social history, and collecting, the contributors to the volume explore the question of authenticity in the arts of China. Essays feature both theoretical and object-based research in a broad chronological framework, addressing a wide range of issues in both Chinese and Western contexts.…
Seller Inventory # 98800
- Title
- Original Intentions : Essays on Production, Reproduction and Interpretation in the Arts of China
- Author
- Pearce, Nicholas & Jason Steuber
- Publisher
- University Press of Florida
- Publication year
- 2012
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 081303972X
- ISBN 13
- 9780813039725
Investigates the controversial practice of art replication
“An excellent survey of scholarship surrounding some of the most fundamental issues in the study of Chinese art. Ranging from Chinese bronzes through Buddhist painting and imperial patronage to the development of the modern scholarly field of Chinese art history and contemporary art, it will be an important resource for many different readers.”—Shawn Eichman, Honolulu Academy of Arts
“An informative and sometimes provocative guide to understanding ‘replications’ of Chinese art as cultural ontology from antiquity to the present. The timing of this volume is particularly relevant to today’s ever-expanding ‘replication’-conscious public.”—He Li, author of Chinese Ceramics: A New Comprehensive Survey from the Asian Art Museum of San Francisco
For both museums and collectors, questions of "authenticity" often dominate the decision to acquire a new work. This issue is especially thorny for Westerners when dealing with Chinese art.
Believing that everything has a precedent, Chinese artists were never bashful about reproducing art, typically seeing less of a difference between the original work and reproductions. As a result, replication has often been considered a fundamental mode of production in Chinese art, with roots extending to antiquity. In turn, some collectors would knowingly brandish originals next to replicas while others completely rejected the idea of imitations as artworks.
The essays in Original Intentions explore the highly controversial questions of faking, copying, and replicating Chinese painting, bronzes, ceramics, works on paper, and sculpture. Offering a broad range of perspectives on conservation, technical analysis, social history, and collecting, the contributors to the volume explore the question of authenticity in the arts of China. Essays feature both theoretical and object-based research in a broad chronological framework, addressing a wide range of issues in both Chinese and Western contexts.
"Synopsis" may belong to another edition of this title.
About the Author
Nicholas Pearce, professor of Chinese art and Head of the School of Culture and Creative Arts at the University of Glasgow, is the author of Photographs of Peking, China, 1861-1908. Jason Steuber, Cofrin Curator of Asian Art for the Samuel P. Harn Museum of Art at the University of Florida, is the author of China: 3000 Years of Art and Literature.
"About the title" may belong to another edition of this title.
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EUROZONE & OTHER CUSTOMERS OUTSIDE THE US: Free or Discounted FedEx or USPS Priority Shipping Upgrade available for shipments to customers outside the US. Please inquire for details on this offer. Customer responible for all VAT.
With our exemplary service and “Customer First” Philosophy, we guarantee careful and personalized attention to every detail: from order fulfillment to extremely careful and protective packaging; we offer an upgrade to courier shipping and insurance with signed-for delivery (see details below). Our search capabilities are unrivaled permitting us to make the claim that we can provide virtually any publications our customers require.