Orson Welles, Volume 2: Hello Americans
Language: English
Published by Vintage Publishing, 2007
- Softcover
- New

Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
AbeBooks seller since October 9, 2009
Condition: New
US$ 32.51
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2007. 0th Edition. Paperback. The reason for the decline of Orson Welles' career is a hotly debated issue. When Citizen Kane, his first film, opened in 1941, Welles was universally acclaimed as the audacious filmmaker alive. In 1947, Welles left America for Europe and lived for the best part of twenty years in self-imposed exile. This biography tells the story of this man. Num Pages: 528 pages. BIC Classification: APF; BGF. Category: (G) General (US: Trade). Dimension: 195 x 130 x 35. Weight in Grams: 410. . . . . . Books ship from the US and Ireland.
Seller Inventory # V9780099462613
- Title
- Orson Welles, Volume 2: Hello Americans
- Author
- Simon Callow
- Publisher
- Vintage Publishing
- Publication year
- 2007
- Condition
- New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0099462613
- ISBN 13
- 9780099462613
- Series
- Book 2 of 2: Orson Welles Biographies
When Citizen Kane, his first film, opened in 1941, Welles was universally acclaimed as the most audacious filmmaker alive. But instead of marking the beginning of a triumphant career in Hollywood, the film proved to be an exception in Welles’s life and work. He found it increasingly impossible to function within Hollywood’s system. Project after project foundered, either abandoned incomplete, or was released in very different form from the one he intended. Finally, in 1947, he left America for Europe where for the best part of twenty years he lived in self-imposed exile, occasionally and briefly returning to stage a play, make a film or shoot a television drama.
Hello Americans reveals the immense complexities of Welles’s temperament as well as some of the monstrous personalities with whom he had to contend. At the same time, the book gives full weight to the almost bewildering range of his activities beyond Hollywood. The thread that runs through this apparently incoherent blur of activity is an often-frustrated engagement with his native land, its faults, its arts, its history. But by 1947, he had said all that he had to say to his fellow citizens; it was Goodbye Americans for two decades of experimental, innovative but essentially European work.
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