Orson Welles, Volume 2
Language: English
Published by Vintage Publishing, GB, 2007
- Softcover
- New

Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
AbeBooks seller since June 11, 2025
Condition: New
US$ 26.07
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Add to basketItem description from seller
The reason for the decline of Orson Welles's career is a hotly debated issue, but decline it certainly did. When Citizen Kane, his first film, opened in 1941, Welles was universally acclaimed as the most audacious filmmaker alive. But instead of marking the beginning of a triumphant career in Hollywood, the film still regularly voted the greatest ever made proved to be an exception in Welles's life and work. In 1947 Welles left America for Europe and lived for the best part of twenty years in self-imposed exile. Welles himself famously quipped 'I started at the top and worked my way down' - the second volume of Simon Callow's compelling biography tells the story of that complex and protracted descent from grace.
Seller Inventory # LU-9780099462613
- Title
- Orson Welles, Volume 2
- Author
- Simon Callow
- Publisher
- Vintage Publishing, GB
- Publication year
- 2007
- Condition
- New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0099462613
- ISBN 13
- 9780099462613
- Item weight
- 419 grams
- Series
- Book 2 of 2: Orson Welles Biographies
When Citizen Kane, his first film, opened in 1941, Welles was universally acclaimed as the most audacious filmmaker alive. But instead of marking the beginning of a triumphant career in Hollywood, the film proved to be an exception in Welles’s life and work. He found it increasingly impossible to function within Hollywood’s system. Project after project foundered, either abandoned incomplete, or was released in very different form from the one he intended. Finally, in 1947, he left America for Europe where for the best part of twenty years he lived in self-imposed exile, occasionally and briefly returning to stage a play, make a film or shoot a television drama.
Hello Americans reveals the immense complexities of Welles’s temperament as well as some of the monstrous personalities with whom he had to contend. At the same time, the book gives full weight to the almost bewildering range of his activities beyond Hollywood. The thread that runs through this apparently incoherent blur of activity is an often-frustrated engagement with his native land, its faults, its arts, its history. But by 1947, he had said all that he had to say to his fellow citizens; it was Goodbye Americans for two decades of experimental, innovative but essentially European work.
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