The Outside Can't Go Outside

Merlin Carpenter

ISBN 10: 3956792777 / ISBN 13: 9783956792779

Published by Sternberg Press, 2020

About this Item

Why has there been so much interest in "surplus value" in recent years? In"The Outside Can't Go Outside", artist Merlin Carpenter considers how this term has been inserted into contemporary art theory following the financial crisis of 2007/8. The book focuses on the idea that the value of art is located in unpaid mental, educational, and communicational labor that is gradually accrued and then exploited according to the logic of Marx's central thesis on exploitation. This much-hyped view is rejected in favor of a more rigorous Marxist interpretation of the nature of surplus value, and its role in a systematic law of value. Carpenter counterposes value to what exists outside of it-a dream, an imaginary, what he describes as a "trance" or the location of revolutionary thought and desires. The outside, however, is not proposed as a physical location, but as an outside inside the body that functions as a line of control within. Moreover, the author suggests that the new revolutionary subjects might be the new groups that form in order to push against control networks, in a reordering of class struggles. Institut f r Kunstkritik Series.

Seller Inventory # CIN3956792777G

Bibliographic Details

• Title: The Outside Can't Go Outside
• Publisher: Sternberg Press
• Publication Date: 2020
• Language: English
• ISBN 10: 3956792777
• ISBN 13: 9783956792779
• Binding: Paperback
• Condition: Good

About this title

Synopsis

Why has there been so much interest in “surplus value” in recent years? In “The Outside Can't Go Outside”, artist Merlin Carpenter considers how this term has been inserted into contemporary art theory following the financial crisis of 2007/8. The book focuses on the idea that the value of art is located in unpaid mental, educational, and communicational labor that is gradually accrued and then exploited according to the logic of Marx's central thesis on exploitation. This much-hyped view is rejected in favor of a more rigorous Marxist interpretation of the nature of surplus value, and its role in a systematic law of value.

Carpenter counterposes value to what exists outside of it—a dream, an imaginary, what he describes as a “trance” or the location of revolutionary thought and desires. The outside, however, is not proposed as a physical location, but as an outside inside the body that functions as a line of control within. Moreover, the author suggests that the new revolutionary subjects might be the new groups that form in order to push against control networks, in a reordering of class struggles.

Institut für Kunstkritik Series

About the Author

Né en 1967 à Pembury (Angleterre), Merlin Carpenter vit et travaille à Londres. Son travail interroge d'une manière critique les conditions de production, de réception et de consommation de l'art aujourd'hui.