P-47 Thunderbolt vs Bf 109G Format: Paperback

The P-47 climbed like a homesick angel and dived for the deck like a rock. This was due to the mighty power of its air-cooled, turbo-supercharged Double Wasp engine, combined with a brutish barrel-shaped airframe. The deadly firepower was totally destructive. The world's largest single-engined fighter when the USA entered the war, the P-47's 18 cylinders vibrated the whole aircraft like it was going to destroy itself. More Thunderbolts were built than any other American fighter in history. In December 1942, the P-47 was the only readily available American-produced high performance fighter. At altitudes up to 15,000 ft, its rival, the Bf 109G, had all-round better performance than the P-47C, most notably in rate of climb. The Thunderbolt's performance progressively improved above 15,000 ft, and between 25,000 to 30,000 ft it surpassed those of the enemy fighters, except for rate of climb and acceleration - the P-47 was double the weight of a Bf 109. Although the latter could initially accelerate well in a dive, the P-47C soon overhauled it and easily out-dived the Messerschmitt from high altitudes. P-47 pilots were advised to avoid combats at low altitudes and slow speeds. Thunderbolt pilots were synonymous with the might of the Eighth Air Force's fighter strength from the summer of 1943 until the end of the conflict, during which time the P-47 was operated in the escort, ground strafing and dive-bombing roles. The P-47 was flown exclusively by Gabby Gabreski and Robert Johnson, the top two scoring American fighter aces in the ETO/MTO. All told, the Thunderbolt was flown by 18 of the top 30 American aces in Europe during the war, while the Bf 109G was the staple Defense of the Reich fighter from 1943 to war's end. The numerous aspects of the pilots' training, the tactics they used once in combat and the leading edge technology employed by these second generation World War 2 fighters is covered in detail, as is the continual development of both fighter types. Finally, the key elements of both fighters - the airframe, engine, armament and flying characteristics -are also explored through first hand accounts from the aces that went head-to-head in the war-torn skies of Europe.

Martin Bowman was the author of the three highly-successful Mosquito volumes in the Combat Aircraft series. He has also written over a dozen titles on the 'Mighty Eighth' over the past 15 years, having interviewed many veterans both in the UK and the USA.

Chris Davey has illustrated more than 70 titles for Osprey's Aircraft of the Aces and Combat Aircraft series since 1994. Based in Mansfield, Nottinghamshire, as one of the very last traditional airbrush artists in the business, he has become the company's illustrator of choice for both USAAF fighters and RAF subject matter, proving his undoubted skill when dealing with large aircraft subjects such as the Halifax, Sunderland, Lancaster, and Stirling.

Jim Laurier is a native of New England and lives in New Hampshire. He attended Paier School of Art in Hamden, Connecticut, from 1974–78, and since graduating with Honours, he has been working professionally in the field of Fine Art and Illustration. He has been commissioned to paint for the US Air Force and has aviation paintings on permanent display at the Pentagon.

Gareth Hector is a digital artist of international standing and has also enjoyed a successful career in computer animation. He is an aviation history enthusiast and has contributed to numerous Osprey titles such as B-52 Stratofortress Units in Combat 1992–2025
and RAF Lightning Units of the Cold War. He lives in Perthshire, Scotland.