The innovative PIAT anti-tank weapon equipped British and Commonwealth troops during some of the most important battles of World War II. This ground-breaking study brings together first-hand accounts, technical manuals, contemporary reports, and archive photography to create a definitive overview of the PIAT's history.
Designed in 1942, Britain's innovative Projector, Infantry, Anti-Tank (PIAT) provided British and Commonwealth troops with a much-needed means of taking on Germany's formidable Panzers. Replacing the inadequate Boys anti-tank rifle, it was conceived in the top-secret World War II research and development organization known colloquially as “Churchill's Toyshop," alongside other ingenious weapons such as the sticky bomb, the limpet mine, and the time-pencil fuse.
Unlike the more famous US bazooka, the PIAT had its roots in something simpler than rocket science. Operated from the shoulder, the PIAT was a spigot mortar which fired a heavy high-explosive bomb, with its main spring soaking up the recoil. The PIAT had a limited effective range. Troops required nerves of steel to get close enough to an enemy tank to ensure a direct hit, often approaching to within 50ft of the target, and no fewer than six Victoria Crosses were won during World War II by soldiers operating PIATs. A front-line weapon in every theater of the conflict in which Commonwealth troops fought, from Europe to the Far East, the PIAT remained in service after 1945, seeing action during the Greek Civil War, the Arab–Israeli conflict, and the Korean War. This illustrated study combines detailed research with expert analysis to reveal the full story of the design, development and deployment of this revolutionary weapon.
Alan Gilliland, a contributor to more than 70 Osprey titles, notably in the Weapon series, writes, illustrates and publishes fiction (www.ravensquill.com), as well as illustrating for a variety of publishers (alangillilandillustration.blogspot.com).
Adam Hook studied graphic design, and began his work as an illustrator in 1983. He specializes in detailed historical reconstructions, and has illustrated Osprey titles on subjects as diverse as the Aztecs, the Ancient Greeks, Roman battle tactics, 19th-century American subjects, the modern Chinese Army, and the history of fortification. His work features in exhibitions and publications throughout the world.
