The Divine Comedy is a complete scale of the depths and heights of human emotion," wrote T.S. Eliot. "The last canto of the Paradiso is to my thinking the highest point that poetry has ever reached or ever can reach."

The Divine Comedy stands as one of the towering creations of world literature, and its climactic section, the Paradiso, is perhaps the most ambitious poetic attempt ever made to represent the merging of individual destiny with universal order. Having passed through Hell and Purgatory, Dante is led by his beloved Beatrice to the upper sphere of Paradise, wherein lie the sublime truths of Divine will and eternal salvation, to at last experience a rapturous vision of God.

About the Author

Anthony Esolen is the author of over twenty-five books and over 600 articles in both scholarly and general interest journals. A senior editor of Touchstone: A Journal of Mere Christianity, Esolen is known for his elegant essays on the faith and for his clear social commentaries. His articles appear regularly in Touchstone, Crisis, First Things, Public Discourse, The Catholic Thing, Chronicles, and Magnificat.

An accomplished poet in his own right, Esolen is known for his widely acclaimed three-volume verse translation of Dante's Divine Comedy (Modern Library) and for his verse translation of Tasso's Jerusalem Delivered (Johns Hopkins). His Ten Ways to Destroy the Imagination of Your Child has been described as "a worthy successor to C.S. Lewis's The Abolition of Man." And its sequel, Life Under Compulsion, has been called "essential reading for parents, educators, and anyone who is concerned to rescue children from the tedious and vacuous thing childhood has become." His recent books include Out of the Ashes: Rebuilding American Culture, Nostalgia: Going Home in a Homeless World, and, No Apologies: How Civilization Depends on the Strength of Men.

The grandson of Italian immigrants to America, Dr. Esolen was born and raised in the coal-mining country of Northeastern Pennsylvania. He received his B.A. from Princeton University, and his Ph. D. from the University of North Carolina, Chapel Hill. He is a professor of humanities and writer-in-residence at Magdalen College of the Liberal Arts in Warner, New Hampshire.

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