The Patron's Payoff: Conspicuous Commissions in Italian Renaissance Art

Jonathan K. Nelson, Richard Zeckhauser

ISBN 10: 0691125414 / ISBN 13: 9780691125411

Published by Princeton University Press, 2008

About this Item

The jacket is very slightly creased on the top edge of the jacket. The book is in great condition with no visible flaws apart from some light handling wear. Binding is tight and inside is clean and unmarked.

Seller Inventory # 1148818

Bibliographic Details

• Title: The Patron's Payoff: Conspicuous Commissions in Italian Renaissance Art
• Publisher: Princeton University Press
• Publication Date: 2008
• Language: English
• ISBN 10: 0691125414
• ISBN 13: 9780691125411
• Binding: Hard cover
• Condition: Very good
• Dust Jacket Condition: Very good
• Seller catalogs:
  • Art

About this title

Synopsis

In The Patron's Payoff, Jonathan Nelson and Richard Zeckhauser apply the innovative methods of information economics to the study of art. Their findings, written in highly accessible prose, are surprising and important. Building on three economic concepts--signaling, signposting, and stretching--the book develops the first systematic methodology for assessing the meaning of art patronage and provides a broad and useful framework for understanding how works of art functioned in Renaissance Italy.

The authors discuss how patrons used conspicuous commissions to establish and signal their wealth and status, and the book explores the impact that individual works had on society. The ways in which artists met their patrons' needs for self-promotion dramatically affected the nature and appearance of paintings, sculptures, and buildings. The Patron's Payoff presents a new conceptual structure that allows readers to explore the relationships among the main players in the commissioning game--patrons, artists, and audiences--and to understand how commissioned art transmits information. This book facilitates comparisons of art from different periods and shows the interplay of artists and patrons working to produce mutual benefits subject to an array of limiting factors. The authors engage several art historians to look at what economic models reveal about the material culture of Italy, ca. 1300�1600, and beyond. Their case studies address such topics as private chapels and their decorations, donor portraits, and private palaces.

In addition to the authors, the contributors are Molly Bourne, Kelley Helmstutler Di Dio, Thomas J. Loughman, and Larry Silver.

About the Author

Jonathan K. Nelson is assistant director for academic programs and publications at Villa I Tatti--the Harvard University Center for Italian Renaissance Studies. He has written extensively on Michelangelo, Leonardo, Botticelli, and Filippino Lippi. Richard J. Zeckhauser is the Frank P. Ramsey Professor of Political Economy at Harvard University's Kennedy School of Government. His most recent book is Collaborative Governance: Private Roles for Public Goals in Turbulent Times.