Crise, mutation, sous ses multiples formes, la � rupture � est devenue la matrice analytique de notre soci�t�. La notion de � rupture � joue un r�le central dans notre mise en r�cit. Elle est � la fois un processus de s�lection des possibles et un instrument d’articulation entre continu et discontinu. Penser la diversit� des acceptions de cette matrice �pist�mologique et artistique ne peut se faire qu’au prisme de l’interdisciplinarit�. C’est pr�cis�ment l’enjeu de ce Num�ro qui rassemble six contributions faisant dialoguer autour d’une m�me notion le th��tre de Beckett et la peinture de Francis Bacon, la sculpture d’Alberto Giacometti et les romanciers indig�nistes hispano-am�ricains, la traduction po�tique et la peinture de Nicolas de Sta�l, le cin�ma de David Lynch et l’�vangile de Marc.

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