Perfect Wrong Note, The: Learning to Trust Your Musical Self (Amadeus)

Westney, William

ISBN 10: 1574671456 / ISBN 13: 9781574671452

Published by Amadeus, 2006

About this Item

Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Seller Inventory # ZBV.1574671456.VG

Bibliographic Details

• Title: Perfect Wrong Note, The: Learning to Trust Your Musical Self (Amadeus)
• Publisher: Amadeus
• Publication Date: 2006
• Language: English
• ISBN 10: 1574671456
• ISBN 13: 9781574671452
• Binding: Soft cover
• Condition: very_good

About this title

Synopsis

In this groundbreaking book, prize-winning pianist and noted educator William Westney helps readers discover their own path to the natural, transcendent fulfillment of making music. Drawing on experience, psychological insight, and wisdom ancient and modern, Westney shows how to trust yourself and set your own musicality free. He offers healthy alternatives for lifelong learning and suggests significant change in the way music is taught. For example, playing a wrong note can be constructive, useful, even enlightening. The creator of the acclaimed Un-Master ClassŪ workshop also explores the special potential of group work, outlining the basics of his revelatory workshop that has transformed the music experience for participants the world over. Practicing, in Westney’s view, is a lively, honest, adventurous, and spiritually rewarding enterprise, and it can (and should) meet with daily success, which empowers us to grow even more. Teachers, professionals, and students of any instrument will benefit from this unique guide, which brings artistic vitality, freedom, and confidence within everyone’s reach

About the Author

Winner of the Geneva International Competition, concert pianist William Westney is also an acclaimed teacher and educational innovator. A distinguished professor and artist-in-residence at Texas Tech University, he has been honored with many teaching awards, and his groundbreaking Un-Master Class performance workshop, which has been profiled in the New York Times, is increasingly in demand in the United States and abroad.