The first major monograph on Peter DeCamp Haines, this title explores how the sculptor's interest in psychology and anthropology deeply informed his art.
This book is the first major monograph on the work of Peter DeCamp Haines (March 27, 1942–October 25, 2024), which builds on the evolution of Modernism as much as it harkens back to the Bronze Age. The clearest expression of this is a series of 1,000 elemental bronze “artifacts” he created over the course of nearly fifty years, to which he contributed yearly, ranging from palm-size pieces to colossal outdoor works. He called this output “a personal archaeology,” or “an archaeology of the subconscious,” referencing ancient tools, animal and human shapes, and the synchronicity of antique forms with the purely abstract.
Haines’s interest in psychology and anthropology deeply informed his art. Working in a Modernist tradition, his career pursued a continuing exploration of the formal attributes of sculpture: form, scale, negative space, and composition. As Haines saw it, one of the satisfactions of sculpture is that ideas such as wholeness, beauty, and timelessness can be expressed without words and one of the critical elements of this wordless communication is negative space. Thus, the doorways, windows, and silhouettes of his sculptures can suggest an area larger than the sculpture itself.
Born in 1942, Peter DeCamp Haines grew up in Ohio. Haines holds a Bachelor of Arts degree from the University of Colorado, Boulder, a Master of Business Administration from Harvard University, and he was a graduate of the School of the Museum of Fine Arts in Boston. He was a founding member of the Boston Sculptors Gallery and co-founder of the Vermont Gentlemen’s Foundry. His work has been shown in numerous solo and group exhibitions, and can be found in the DeCordova Museum and Sculpture Park in Concord, Massachusetts, and the Chen Yunxian Museum in Nanchang, China, among other collections in Boston, New York, and South Korea. Haines lived and worked in Cambridge, Massachusetts.
A biographer, art historian, and fine arts journalist, Belinda Rathbone has written widely on twentieth-century art and photography. She is the author of the critically acclaimed George Rickey: A Life in Balance, and Walker Evans: A Biography. She was also the principal essayist for The Artist Book Foundation’s monograph, George Sherwood: Wind, Waves, and Light.
Murray Whyte is an award-winning journalist and art critic at The Boston Globe. He was also the cultural journalist and art critic at the Toronto Star and he has contributed to many international publications, including The New York Times, The Guardian (UK), The New York Observer, and Esquire magazine, among others. He is the winner of a National Newspaper Award for his critical writing.
Born in 1942, Peter DeCamp Haines grew up in Ohio. Haines holds a Bachelor of Arts degree from the University of Colorado, Boulder, a Master of Business Administration from Harvard University, and he is a graduate of the School of the Museum of Fine Arts in Boston. He is a founding member of the Boston Sculptors Gallery and co-founder of the Vermont Gentlemen’s Foundry. His work has been shown in numerous solo and group exhibitions, and can be found in the DeCordova Museum and Sculpture Park in Concord, Massachusetts, and the Chen Yunxian Museum in Nanchang, China, among other collections in Boston, New York, and South Korea. Haines lived and worked in Cambridge, Massachusetts.
