Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture

Shawn Michelle Smith

ISBN 10: 0822333430 / ISBN 13: 9780822333432

Published by Duke University Press, 2004

About this Item

An exploration of the visual meaning of the color line and racial politics through the analysis of archival photographs collected by W.E.B. Du Bois and exhibited at the Paris Exposition of 1900 Series: A John Hope Franklin Center Book. Num Pages: 272 pages, 86 photographs (incl. special plate section). BIC Classification: 1KBBFG; AJB; AJC; JFSL3. Category: (P) Professional & Vocational. Dimension: 5919 x 3810 x 19. Weight in Grams: 390. . 2004. Illustrated. Paperback. . . . .

Seller Inventory # V9780822333432

Bibliographic Details

• Title: Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture
• Publisher: Duke University Press
• Publication Date: 2004
• Language: English
• ISBN 10: 0822333430
• ISBN 13: 9780822333432
• Binding: Soft cover
• Condition: New

About this title

Synopsis

Through a rich interpretation of the remarkable photographs W. E. B. Du Bois compiled for the American Negro Exhibit at the 1900 Paris Exposition, Shawn Michelle Smith reveals the visual dimension of the color line that Du Bois famously called “the problem of the twentieth century.” Du Bois’s prize-winning exhibit consisted of three albums together containing 363 black-and-white photographs, mostly of middle-class African Americans from Atlanta and other parts of Georgia. Smith provides an extensive analysis of the images, the antiracist message Du Bois conveyed by collecting and displaying them, and their connection to his critical thought. She contends that Du Bois was an early visual theorist of race and racism and demonstrates how such an understanding makes the important concepts he developed—including double consciousness, the color line, the Veil, and second sight—available to visual culture and African American studies scholars in powerful new ways.

Smith reads Du Bois’s photographs in relation to other turn-of-the-century images such as scientific typologies, criminal mugshots, racist caricatures, and lynching photographs. By juxtaposing these images with reproductions from Du Bois’s exhibition archive, Smith shows how Du Bois deliberately challenged racist representations of African Americans. Emphasizing the importance of comparing multiple visual archives, Photography on the Color Line reinvigorates understandings of the stakes of representation and the fundamental connections between race and visual culture in the United States.

About the Author

Shawn Michelle Smith is Associate Professor of American Studies at Saint Louis University. She is the author of American Archives: Gender, Race, and Class in Visual Culture.