Synopsis
The Commonwealth Center Studies in American Culture series presents innovative scholarship in the multidisciplinary study of American society and culture. Based on a nationally competitive search and sustained by a two-year fellowship at the Commonwealth Center for the Study of American Culture at the College of William and Mary, the series introduces the work of important young scholars and is both contemporary in approach and enduring in quality.
Starting with the insight that crime and punishment have been among the most persistent and pervasive themes of American popular culture, this book demonstrates a major shift in their depiction from the colonial period to the Civil War. Through the systematic study of hundreds of early books, pamphlets, and broadsides, Cohen traces the declining authority of Puritan ministers and Calvinistic notions of sin and their replacement by a romantic, pluralistic literary marketplace where new professionals--lawyers, journalists, and even fiction writers--served as leading cultural arbiters. The book begins with a comprehensive survey of the entire field of crime literature in New England during the seventeenth and eighteenth centuries, focusing especially on execution sermons, conversion narratives, and criminal autobiographies. It not only explores the changing arguments of orthodox clergymen but also shows how the conventions of documentary reportage that they established gradually undermined their control of the public discourse, as criminals themselves gained a sometimes defiant literary voice. In the final chapters the focus shifts to two highly publicized sexual murder cases of the nineteenth century that illustrate new attitudes toward crime and new patterns of popular literature. Recovering a lost culture of legal romanticism--featuring trial reports, romantic biographies, and fictionalized docudramas--Cohen challenges the conventional assumption that there was a growing split between law and literature during the antebellum period. To the contrary, he demonstrates how the motifs of popular fiction even infiltrated the courtroom arguments of prominent criminal lawyers. An imaginative use of unpublished court records and a wide array of popular literary sources revealing insights into early American society and culture, this fascinating book probes the forgotten origins of our modern mass media's preoccupation with crime and punishment.
From the Back Cover
In this innovative study, Cohen demonstrates a major cultural shift from the colonial period to the mid-nineteenth century by exploring the popular literature of crime and punishment. Tracing the declining authority of Puritan ministers and Calvinistic notions of sin, he explores how they were replaced by a romantic, pluralistic literary marketplace where new professionals, lawyers - journalists, and even fiction writers - defined morals and clairified authority. Cohen begins with a comprehensive survey of the entire field of crime literature in New England during the seventeenth and eighteenth centuries. He then focuses on two highly publicized sexual murders of the nineteenth century that illustrate changing attitudes toward crime and changing patterns of popular literature. Recovering a lost culture of legal romanticism, featuring trial reports, romantic biographies, and fictionalized docudramas, Cohen challenges the conventional assumption that there was a growing split between law and literature during the antebellum period. An imaginative use of unpublished court records and a wide array of popular literary sources revealing insights into American society from colonial times to the Civil War, this fascinating book probes the forgotten origins of our own modern mass media's preoccupation with crime and punishment. The first volume in the Commonwealth Center Studies in American Culture series, Pillars of Salt, Monuments of Grace unites literary analysis with social, cultural, legal, religious, and intellectual history and offers a jargon-free look at vivid case studies that will appeal to scholars and general readers alike.
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