The Place of the Stage: License, Play, and Power in Renaissance England

MULLANEY Steven

ISBN 10: 0472083465 / ISBN 13: 9780472083466

Published by University of Michigan Press 1995, 1995

About this Item

Pbk 178pp an unread copy excellent clean tight unmarked as new.

Seller Inventory # BTr145

Bibliographic Details

• Title: The Place of the Stage: License, Play, and Power in Renaissance England
• Publisher: University of Michigan Press 1995
• Publication Date: 1995
• Language: English
• ISBN 10: 0472083465
• ISBN 13: 9780472083466
• Binding: Soft cover
• Condition: As New
• Seller catalogs:
  • Renaissance
  • Theater

About this title

Synopsis

In this richly textured multidisciplinary work, Steven Mullaney examines the cultural situation of popular drama in Elizabethan and Jacobean England. Relying upon a dynamic model of cultural production, Mullaney defines an original and historically grounded perspective on the emergence of popular theater and illustrates the critical, revisionary role it played in the symbolic economy of Renaissance England.

Combining literary, historical, and broadly conceived cultural analysis, he investigates, among other topics, the period's exhaustive "rehearsal" of other cultures and its discomfiting apprehensions of the self; the politics of vanished forums for ideological production such as the wonder-cabinet and the leprosarium; the cultural poetics of royal entries; and the incontinent, uncanny language of treason. As Mullaney demonstrates, Shakespearean drama relied upon and embodied the marginal license of the popular stage and, as a result, provides us with powerful readings of the shifting bases of power, license, and theatricality in Elizabethan and Jacobean England.

"A major study, not merely of selected Shakespearean plays but of the very conditions of the possibility of Renaissance drama." --Louis Montrose, University of California, San Diego

"Mullaney's rich and engaged reading of the place of Shakespeare's stage represents the texture of early modern life and its cultural productions in the vivid tradition of annales history and brilliantly exemplifies his theoretical call for a poetics of culture." -- Shakespeare Quarterly

"Mullaney marshals an impressive range of cultural representations which, taken together, will undoubtedly force a reconsideration of the semiotics of the Elizabethan stage." --Times Higher Education Supplement

". . . something of a dramatic feat in cultural studies: literary critic Mullaney calls in a cast ranging from Clifford Geertz and Pierre Bourdieu to Raymond Williams, Mary Douglas, and Michel Foucault." --Contemporary Sociology

Steven Mullaney is Associate Professor of English at the University of Michigan.

About the Author

Steven Mullaney is Associate Professor of English at the University of Michigan.