Place-Text-Trace (Paperback)

D. Bauer

ISBN 10: 9042936258 / ISBN 13: 9789042936256

Published by Peeters Publishers, Leuven, 2018

About this Item

Paperback. The past was over, the future was not there yet and the present was afuture past. Throughout the long nineteenth century, past and presenthad become traces and layers, burdened with an inescapable dimension ofabsence. Writers, scholars and architects, political theorists, artists,visitors of museums and exhibitions, the miller in Provence and theshepherd in the Landes, were facing a rapidly changing world. Thepresent had become elusive and fragile. The past was irrevocably goneand other. In an initial context of loss, of dispersion anddisconnection of lands, people, professions and things, new frameworksof meaning and imagination, of presentification, had to be found,tools of preservation, of restoration, of (re)establishment andvivification.Place and text become such tools. Against a concise background of comparative literature and contemporaryphilosophy on absence and presentification, this essay explores spatialimages in French and Belgian nineteenth-century literature, especiallyin the work of Chateaubriand, Balzac, Rodenbach and Mistral. It isargued that the spatial image, as textual space and spatial text, and inthe built environment, operates as a cultural subtext ofpresentification. Its disruptive nature, its own fragility and eventualself-fragmentation reveal the cultural ambiguities of the centurystragic and grand strife to make the elusive present eternal, timeless,fixed, absenceless and complete in the age of traces. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Seller Inventory # 9789042936256

Bibliographic Details

• Title: Place-Text-Trace (Paperback)
• Publisher: Peeters Publishers, Leuven
• Publication Date: 2018
• Language: English
• ISBN 10: 9042936258
• ISBN 13: 9789042936256
• Binding: Paperback
• Condition: new

About this title

Synopsis

The past was over, the future was not there yet and the present was a future past. Throughout the long nineteenth century, past and present had become traces and layers, burdened with an inescapable dimension of absence. Writers, scholars and architects, political theorists, artists, visitors of museums and exhibitions, the miller in Provence and the shepherd in the Landes, were facing a rapidly changing world. The present had become elusive and fragile. The past was irrevocably gone and other. In an initial context of loss, of dispersion and disconnection of lands, people, professions and things, new frameworks of meaning and imagination, of 'presentification', had to be found, tools of preservation, of restoration, of (re)establishment and vivification. Place and text become such tools.



Against a concise background of comparative literature and contemporary philosophy on absence and presentification, this essay explores spatial images in French and Belgian nineteenth-century literature, especially in the work of Chateaubriand, Balzac, Rodenbach and Mistral. It is argued that the spatial image, as textual space and spatial text, and in the built environment, operates as a cultural subtext of presentification. Its disruptive nature, its own fragility and eventual self-fragmentation reveal the cultural ambiguities of the century's tragic and grand strife to make the elusive present eternal, timeless, fixed, absenceless and complete in the age of traces.