Play It Again, Sam (Paperback)

Samuel Jay Keyser

ISBN 10: 0262552329 / ISBN 13: 9780262552325

Published by MIT Press Ltd, 2025

About this Item

Paperback. Why we enjoy works of art, and how repetition plays a central part in the pleasure we receive.Why we enjoy works of art, and how repetition plays a central part in the pleasure we receive.Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril.Play It Again, Sam takes Bernstein seriously. In this book, Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn ("Satin Doll") and Richard Rodgers and Lorenz Hart ("My Funny Valentine") construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia-Giglia's Girls in the Windows is one of the highest-grossing photographs in history-are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward- the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. "An examination of repetition across the arts by a linguist well-known for his professional work in poetic meter (and his personal passion for jazz music)"-- Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Seller Inventory # 9780262552325

Bibliographic Details

• Title: Play It Again, Sam (Paperback)
• Publisher: MIT Press Ltd
• Publication Date: 2025
• Language: English
• ISBN 10: 0262552329
• ISBN 13: 9780262552325
• Binding: Paperback
• Condition: new

About this title

Synopsis

Why we enjoy works of art, and how repetition plays a central part in the pleasure we receive.

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril.

Play It Again, Sam takes Bernstein seriously. In this book, Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.

The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol’s Campbell's Soup Cans, and Jackson Pollock’s drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.

The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim.

About the Author

Samuel Jay Keyser is a theoretical linguist. He is Peter de Florez Emeritus Professor of the Linguistics and Philosophy faculty, and former Associate Provost at MIT. He has authored numerous books and scientific publications and is Editor-in-Chief of the journal Linguistic Inquiry. He is also a jazz trombone player in the Boston area.