Playing for Keeps: Improvisation in the Aftermath (Improvisation, Community, and Social Practice)

ISBN 10: 1478008148 / ISBN 13: 9781478008149

Published by Duke University Press, 2020

About this Item

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Bibliographic Details

• Title: Playing for Keeps: Improvisation in the Aftermath (Improvisation, Community, and Social Practice)
• Publisher: Duke University Press
• Publication Date: 2020
• Language: English
• ISBN 10: 1478008148
• ISBN 13: 9781478008149
• Binding: Soft cover
• Condition: very_good

About this title

Synopsis

The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a method for negotiating violence, trauma, systemic inequality, and the aftermaths of war and colonialism. Outlining the relation of improvisatory practices to local and global power structures, they show how in sites as varied as South Africa, Canada, Egypt, the United States, and the Canary Islands, improvisation provides the means for its participants to address the past and imagine the future. In addition to essays, the volume features a poem by saxophonist Matana Roberts, an interview with pianist Vijay Iyer about his work with U.S. veterans of color, and drawings by artist Randy DuBurke that chart Nina Simone's politicization. Throughout, the contributors illustrate how improvisation functions as a model for political, cultural, and ethical dialogue and action that can foster the creation of alternate modes of being and knowing in the world.

Contributors. Randy DuBurke, Rana El Kadi, Kevin Fellezs, Daniel Fischlin, Kate Galloway, Reem Abdul Hadi, Vijay Iyer, Mark Lomanno, Moshe Morad, Eric Porter, Sara Ramshaw, Matana Roberts, Darci Sprengel, Paul Stapleton, Odeh Turjman, Stephanie Vos

About the Author

Daniel Fischlin is University Research Chair and Professor in the School of English and Theatre Studies at the University of Guelph and coauthor of The Fierce Urgency of Now: Improvisation, Rights, and the Ethics of Co-creation, also published by Duke University Press.

Eric Porter is Professor of History and History of Consciousness at the University of California, Santa Cruz, and coauthor of New Orleans Suite: Music and Culture in Transition.