Poem Of Ecstasy And Prometheus

Alexander Scriabin

ISBN 10: 0486284611 / ISBN 13: 9780486284613

Published by Dover Publications, 2015

About this Item

Poem Of Ecstasy And Prometheus | Alexander Scriabin | Taschenbuch | Dover Orchestral Music Scores | Partitur | Englisch | 2015 | Dover Publications | EAN 9780486284613 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Seller Inventory # 121448941

Bibliographic Details

• Title: Poem Of Ecstasy And Prometheus
• Publisher: Dover Publications
• Publication Date: 2015
• Language: English
• ISBN 10: 0486284611
• ISBN 13: 9780486284613
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 308W x 238H x 12D millimeters 308 millimeters width by 238 millimeters height by 12 millimeters depth
• Weight: 603 grams
• Seller catalogs:
  • Bücher

About this title

Synopsis

In the early years of the twentieth century, when vital new forces were revolutionizing the arts, Russian-born Alexander Scriabin (1872–1915) was among the visionary pioneers who sought a new musical language. Scriabin began the process of a complete break with all musical conventions at least a decade before the advances of Stravinsky and Schoenberg. By 1905 he was immersed in a search for a way to express, in sound, his obsession with mystical and theosophical ideals.
Scriabin's last two orchestral works were the products of a virtual delirium of composing. Simultaneously refining his collection of verses called "Poem of Ecstasy" and the related symphony, Scriabin never forgot the rapture of composing this work about creation and self-fulfillment: "I gasp for breath, but oh, what bliss! The very meter kindles the meaning…"
"Prometheus: Poem of Fire," Scriabin's last and most revolutionary symphony, portrays humanity's epic journey from the beginning of time to the wondrous self-realization that followed the gift of fire and light, which made creative vision possible. Massively scored, "Prometheus" incorporates a "color organ" to bathe the performance space in a vast interplay of colored lights.
For the music professional and every student of composition, orchestration, and conducting, both scores are strikingly original and instructive. Equally fascinating are Scriabin's approach to composition, the extraordinary sonorities of his orchestra, and his fanciful, often supercharged performance instructions that replace conventional words for tempo, mood, and expression.

About the Author

Russian-born Alexander Scriabin (1872–1915) ranks among the most innovative and controversial of the early modern composers. Tolstoy described his music as "a sincere expression of genius," and his works exercised a significant influence on Prokofiev, Stravinsky, and other composers.