The Poetry of Rainer Maria Rilke

Rilke, Rainer Maria; Kline, A. S.

ISBN 10: 1512129461 / ISBN 13: 9781512129465

Published by CreateSpace Independent Publishing Platform (edition ), 2015

About this Item

The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Seller Inventory # 1512129461-7-1

Bibliographic Details

• Title: The Poetry of Rainer Maria Rilke
• Publisher: CreateSpace Independent Publishing Platform (edition )
• Publication Date: 2015
• Language: English
• ISBN 10: 1512129461
• ISBN 13: 9781512129465
• Binding: Paperback
• Condition: Fair

About this title

Synopsis

The Poetry of Rainer Maria Rilke. A translation into English with Commentary by A. S. Kline. Illustrated with photographs of the sculpture of Auguste Rodin.

This compilation comprises:

• The Duino Elegies - in complete translation.
• The Fountain of Joy - a new commentary on Rilke’s Duino Elegies.
• Selected Further Poems - including excerpts from ‘Sonnets to Orpheus’.

Rainer Maria Rilke, was born in Prague, the capital of Bohemia, in 1875. He studied in Prague and Munich before travelling widely. In 1902 he arrived in Paris, where he subsequently became Auguste Rodin’s secretary. It was here that he developed the more objective style of his collection New Poems (Neue Gedichte, 1907).

During the winter of 1911/1912 Rainer Maria Rilke was invited to Castle Duino, near Trieste, where he began the Duino Elegies. The work would, however, remain unfinished for a decade. Creatively muted by bouts of depression, in part caused by the First World War, Rilke did not complete the Elegies until 1922. His Sonnets to Orpheus were written in the same year during a three-week paroxysm of creativity.

The Duino Elegies and Sonnets to Orpheus deploy and extend both his early lyrical gifts and subsequently more objective formal style in a poetry of philosophical and spiritual depth, centred around a view of life and death as forming a complete whole, and demanding a full human response to both the positive and negative aspects of both these ‘realms’. In that sense he is a poet of both darkness and light, of the bleak and sparse but also the spiritual and consolatory. Ideas from late nineteenth century existentialist philosophy, the influence of artists like Rodin and Picasso, and a subtle awareness of Psychology as a developing area of intellectual exploration, can all be found in his work, while his spiritual and poetic world is revealed as both highly individualistic and profoundly modernistic, despite its Romantic lyrical heritage.

Published by Poetry in Translation.