Synopsis
Calling to mind Basho¯’s late life journeys through the backcountry of Japan, two women poets in a well-worn Honda hit the road for a legendary pilgrimage in a far-flung (pre-pandemic) landscape of American poetry.
Although a road trip across North American calls to mind Jack Kerouac’s youthful meanderings of self-discovery, this reading tour was more in the manner of Basho¯’s late life journeys through the backcountry of Japan. . . . The road trip was in a sense a pilgrimage of reengagement with their calling as poets, and a chance to reacquaint with like-minded friends, old and new, in a far-flung landscape of American poetry.
Venues would include upscale bookstores, coffee houses, museums, legendary used bookstores, botanical gardens, university classrooms, art centers, and artist coops—in short, a unique sampling of poetry environments tracing an arc across the Southern States, the Southwest, and up the West Coast before hooking back to the Rockies.
Framed as a personal challenge, the poets hit the road much in the manner of itinerant preachers and musicians, lodging at discount motels, funky hostels, Airbnbs, and with friends along the way. Adding a social media touch, Maureen and Barbara created a blog of their tour so that friends, family, hosts, and fellow poets might also share in their adventure.
—from the Introduction by Pat Nolan
About the Author
Maureen Owen's latest title is everything turns on a delicate measure from BlazeVOX Books. Recent publications include let the heart hold down the breakage Or the caregiver's log from Hanging Loose Press and Poets on the Road, a collaborative reading tour blog with Barbara Henning in print from City Point Press. She is the former editor and chief of Telephone Magazine and Telephone Books, currently celebrated in a two vol. recap by The Poetry Collection at The University at Buffalo. She is the author of thirteen books of poetry, including Edges of Water from Chax Press. Her title Erosion’s Pull from Coffee House Press was a finalist for the Colorado Book Award and the Balcones Poetry Prize. Her collection American Rush: Selected Poems was a finalist for the L.A. Times Book Prize and her work AE (Amelia Earhart) was a recipient of the prestigious Before Columbus American Book Award. Other books include Imaginary Income, Zombie Notes, a brass choir approaches the burial ground, The No-Travels Journal, and Untapped Maps.
An instructor of numerous workshops and classes in poetry and book production, her awards include grants from the Foundation for Contemporary Arts, the Fund for Poetry and a Poetry Fellowship from the National Endowment for the Arts. She has taught at Naropa University, both on campus and in the low-residency MFA Creative Writing Program, and served as editor-in-chief of Naropa’s on-line zine not enough night. She can be found reading her work on the PennSound website. She lives in Denver, Colorado.
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Barbara is a poet and a fiction writer. She was born in Detroit and now lives in Brooklyn. Barbara’s most recent book is Ferne, a Detroit Story, a hybrid biography of her mother. She has published eight collections of poetry and four novels. She is also the editor of The Selected Prose of Bobbie Louise Hawkins (BV), Looking Up Harryette Mullen (Belladonna Series), the editor/writer of Prompt Book: Experiments for Writing Poetry and Fiction (SD, 2021), and was editor and publisher of the poetry/art journal, Long News: In the Short Century (1990-1995). She has taught for MFA programs at Naropa University (2006-2014) and Long Island University where she is Professor Emerita.
Her most recent book, Ferne, a Detroit Story was selected by as a Michigan Notable Book of 2023 by the Library of Michigan.
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