Point Break: Movies Minute by Minute (Timecodes)

Stephen Lee Naish

ISBN 13: 9798216374145

Published by Bloomsbury Academic (UK), 2026

About this Item

Seller Inventory # LU-9798216374145

Bibliographic Details

• Title: Point Break: Movies Minute by Minute (Timecodes)
• Publisher: Bloomsbury Academic (UK)
• Publication Date: 2026
• Language: English
• ISBN 13: 9798216374145
• Binding: Paperback
• Condition: New
• Dimensions: 12.57W x 1.4H x 19.56D centimeters 12.57 centimeters width by 1.4 centimeters height by 19.56 centimeters depth
• Weight: 180 grams

About this title

Synopsis

Point Break, in Bloomsbury's Timecodes Series, is a detailed, minute-by-minute critical exploration of Kathryn Bigelow's 1991 action film Point Break.

Moving sequentially through the film's two-hour runtime, the book blends formal analysis, cultural history and theory, action genre study, and personal reflection and interpretation. It positions Point Break as both a quintessential action spectacle and a film layered with thematic tensions: masculinity, spirituality, individual risk, personal freedom, environmental awareness, and the search for one's identity. Each minute of the film is treated as a self-contained unit. The cinematography, editing, sound design, performances, and narrative beats are discussed in relation to broader social contexts including surfing subculture, mid-to-late-20th-century American politics, post-Vietnam War attitudes, and the evolving media images of Keanu Reeves and Patrick Swayze.

Drawing on a wide array of sources, such as film theory, cultural criticism, and surf memoirs, the book
reframes Point Break as not merely an adrenaline-driven thriller, but as a work rich in symbolism, mythology, homoerotic desires, and philosophical inquiry. This approach reveals how Bigelow crafts a kinetic, expressive cinema where bodies, landscapes, and motion collide, and how the film's characters operate within intersecting personal, cultural, and ideological currents. The result is a hybrid of scholarship and creative writing that reanimates the film by slowing it down, revealing layers of meaning often obscured by its velocity.

About the Authors

Stephen Lee Naish is a Canadian-based independent researcher, writer, and visual artist whose work explores film, politics, and popular culture. He often examines political undercurrents present in films and their potential for social commentary and critique. He explores a wide range of topics, including the impacts of COVID-19 on theatres, the class war of the 1% upon the rest, and the climate crisis. He has written essays for various journals and periodicals, including Candid Magazine, The Quietus, Albumism, Aquarium Drunkard, Film International, and Dirty Movies. Naish is also the author of several books.

Nicholas Rombes is a professor of English at the University of Detroit Mercy, USA. His books include Ramones (Continuum, 2005), New Punk Cinema (2005), and Cinema in the Digital Age (2017). He has written for Exquisite Corpse, McSweeney's online, and CTheory.

Nadine Boljkovac is Assistant Professor at the University of Colorado, Colorado Springs, USA. She is the author of Little Women (2019) (Bloomsbury, forthcoming) and Untimely Affects: Gilles Deleuze and an Ethics of Cinema (2013; 2015), examining Alain Resnais's & Chris Marker's works. Writing appears in Camera Obscura; Cineaste; The Anthem Handbook of Screen Theory; The Sustainable Legacy of Agnès Varda; Studies in European Cinema; Screening the Past; Gilles Deleuze: Image and Text, and others.