The Popularization of Images: Visual Culture Under the July Monarchy. (The Princeton Series in Nineteenth-Century Art, Culture, and Society)

Chu, Petra Ten-Doesschate and Gabriel P. Weisberg:

ISBN 10: 0691032106 / ISBN 13: 9780691032108

Published by Princeton , New Jersey : Princeton University Press, 1994

About this Item

XIII, 299 Seiten ; Sprache: Englisch neuwertiger Zustand, wirkt ungelesen, minimale Lagerspuren am Schutzumschlag Sprache: Englisch Gewicht in Gramm: 900.

Seller Inventory # 52304

Bibliographic Details

• Title: The Popularization of Images: Visual Culture Under the July Monarchy. (The Princeton Series in Nineteenth-Century Art, Culture, and Society)
• Publisher: Princeton , New Jersey : Princeton University Press
• Publication Date: 1994
• Language: English
• ISBN 10: 0691032106
• ISBN 13: 9780691032108
• Binding: Leinen
• Condition: Wie neu
• Dust Jacket Condition: Dust Jacket Included
• Weight: 900 grams
• Seller catalogs:
  • Kunstgeschichte

About this title

Synopsis

The portentous, eighteen-year period (1830-1848) in the history of French revolutions known as the July Monarchy was circumscribed by the rule of Louis Philippe d'Orléans and was characterized by the political and social ascendancy of the bourgeoisie. Accompanying this brief and transitional stage was a phenomenal increase in printed media, especially in all forms of culture with a visual component. These nine essays, gathered from social historians and art historians, address the formation and consequences of the emergence of a popular culture. They significantly reframe the mental picture of the July Monarchy, calling into account traditional ideas of social order during this formative period of demographic change.


While the expanded availability of images and words, together with an elevated literacy rate, enhanced political awareness among lower classes, the rule of Louis Philippe inaugurated hegemonic social agendas. This was the period that saw the rise of class consciousness, the concept of "dangerous" classes, police surveillance, and the identification of "criminal" types. The pandemic medium of caricature was at once a vehicle for critiquing government and social mores and an effective tool for determining and controlling class distinctions. In addition to the editors, the contributors are Albert Boime, James Cuno, Michael Paul Driskel, Michael Marrinan, Elizabeth K. Menon, Kim Munholland, and David Van Zanten.

About the Author

Petra ten-Doesschate Chu is Professor of Art History at Seton Hall University. Gabriel P. Weisberg is Professor of Art History at the University of Minnesota.