A Pound of Pictures

Alec Soth

ISBN 10: 1913620115 / ISBN 13: 9781913620110

Published by Mack, 2022

About this Item

Leichte Kratzer / Abnutzungen / Druckstellen. "A Pound of Pictures is a stream-of-consciousness celebration of the photographic medium, bringing together an entirely new collection of work by Alec Soth made between 2018 and 2021. Depicting a sprawling array of subjects -- from Buddhist statues and birdwatchers to sun-seekers and busts of Abe Lincoln -- this book reflects on the photographic desire to pin down and crystallise experience, especially as it is represented and recollected by printed images. Throughout this eclectic sequence are the recurring presences of iconography, of souvenirs and mementos, and of the image-makers that surround us day to day. Forming a winding, ruminative road trip, Soth's photographs are followed by his own notes and reflections in an extended afterword. 'If the pictures in this book are about anything other than their shimmering surfaces,' he writes, 'they are about the process of their own making. They are about going into the ecstatically specific world and creating a connection between the ephemeral (light, time) and the physical (eyeballs, film).' Each book contains five randomised replica vernacular photographs loosely inserted within the pages." -- Publisher's website.

Seller Inventory # 5667fe0c-c5df-4928-9a60-7a0f386949ba

Bibliographic Details

• Title: A Pound of Pictures
• Publisher: Mack
• Publication Date: 2022
• Language: English
• ISBN 10: 1913620115
• ISBN 13: 9781913620110
• Binding: Hardcover
• Condition: As New
• Seller catalogs:
  • Painting & Sculpture

About this title

Synopsis

A Pound of Pictures is a stream-of-consciousness celebration of the photographic medium, bringing together an entirely new collection of work by Alec Soth made between 2018 and 2021. Depicting a sprawling array of subjects — from Buddhist statues and birdwatchers to sun-seekers and busts of Abe Lincoln — this book reflects on the photographic desire to pin down and crystallise experience, especially as it is represented and recollected by printed images. Throughout this eclectic sequence are the recurring presences of iconography, of souvenirs and mementos, and of the image-makers that surround us day to day. Forming a winding, ruminative road trip, Soth’s photographs are followed by his own notes and reflections in an extended afterword. ‘If the pictures in this book are about anything other than their shimmering surfaces,’ he writes, ‘they are about the process of their own making. They are about going into the ecstatically specific world and creating a connection between the ephemeral (light, time) and the physical (eyeballs, film).’ Each book contains five randomised replica vernacular photographs loosely inserted within the pages.